Monthly Archives: December 2011

Bow Wow Wow reform to tour the U.K.

Will Crewdson will be joining Bow Wow Wow on the guitar to tour the U.K. on April and May.
The funny thing is that Crewdson was playing the guitar for Adam Ant during last year and I think he worked with Malcolm McLaren too at some point…

In 1980, Malcolm McLaren persuaded various Adam and the Ants members including David Barbarossa, Leigh Gorman, the late Matthew Ashman to form Bow Wow Wow with singer Annabella Lwin.

We did an interview with Will Crewdson a couple of months ago, but probably he wasn’t aware of the Bow Wow Wow tour.
You can check our review on his new album here and you can find him again playing the guitar on the charity song “Second Chance” with New Zero God & Friends.

If you want more candy, a short Bow Wow Wow bio, tour dates and tickets, click here .

Leave a comment

Posted by on December 30, 2011 in Concerts / Performances


New Zero God & Friends – Second Chance

With over 30 years of experience in the industry, singer Mike Pougounas has always valued the gift of music. But with so many people who suffer problems that cannot be healed through a song, Pougounas wanted to give the world an even bigger gift. The gift of hope. The gift of survival. The gift of a second chance.

Keeping that sentiment in mind, Pougounas approached his band mates in Greek band New Zero God with the idea of a charity song that could give all the gifts he wanted to share with those who needed them most. With New Zero God on his side, Pougounas started gathering friends to record the charity song “Second Chance” in the summer of 2011. As each established musician gave a resounding “yes” to Pougounas’ request, this charity project was born.

New Zero God & Friends is comprised of respected musicians from all over the world. South African singer Raymond John Ross (ANKST) and Pougounas worked together for the first time in 2011 on a different charity song, and Ross was the first person to eagerly sign on for this song. Shaun Histed-Todd from the United Kingdom not only accepted the invitation to do the artwork, but he also brought New Zero God in touch with English guitar player Will Crewdson (Adam Ant, Johnette Napolitano – of the Concrete Blonde fame– Scant Regard, Rachel Stamp and others) . Through a common friend who was writing for an English music magazine, Pougounas reached out to another English musician, bass player Chris Tuke (Berlin Black, Luxury Stranger), who immediately responded positively. Pougounas then turned to friends – international musicians he knew for years – such as Stereoskop’s Susana Egea and Alex Brujas from Spain, Martin Birke (Genre Peak, Hardboiled Wonderland) from the United States, Lord Litter (Musician/radio DJ) from Germany, and Don Campau (Musician/radio DJ) from the United States. These musicians, along with New Zero God members Dimitris Steves, Michael Christou, Harris Stavrakas, and Mike Pougounas got to work right away.

Although the musicians are located in different corners of the world, they managed to complete “Second Chance” together. Once they summoned the Greek/South African sound engineer Chris Manolitsis to work his magic, they knew they had something great. “Second Chance” was finished and all it needed was a worthwhile charity to benefit.

Music buffs should know that the song was originally released in 2005 by Pougounas’ former band, Nexus, under the title “You Always Get a Second Chance” It was composed by drummer Dimitris Steves with lyrics by Pougounas. Both musicians formed New Zero God in 2006 and kept their Nexus song tucked away in hopes they could use it for a good cause in the future. When New Zero God and their friends solidified their plans to rerelease the song for a charity, they found the perfect organization to help with their song – they found the reason they wanted to do a charity song in the first place.

Pougounas and his fellow musicians chose to donate all proceeds of “Second Chance” to a Massachusetts based organization called HAWC (Healing Abuse, Working for Change). HAWC helps thousands of people who have been physically, mentally, and sexually abused, giving them the resources they need to get back on their feet and put their pasts behind them. In other words, HAWC gives people the second chance they need to start living life again.

New Zero God & Friends are proud of their musical creation and they hope it will fulfill its intended purpose. Each $0.99 download will go directly into an account for HAWC, helping the organization with every single click. Everybody involved in this charity project sincerely hopes this song will bring awareness, hope, inspiration, and a bit of funding to a worthy cause because everybody deserves a second chance.

You can click HERE to download the song from CD Baby or HERE to download it from Amazon.

Leave a comment

Posted by on December 23, 2011 in Music


There is no Asylum Here – Video

Title song of the film “There is no Asylum Here” (a documentary for the Greek underground scene of the 80s). Director: Michalis Kafantaris, Photography Director: Nikos Chaniotis. Girl with strange appetite: Olga Papadimitriou. Music and Lyrics: K P Mastoris, Asylum’s Nursery Choir: Anda Lambara, Stelios Mastrokalos, Yiannis Drenogiannis, Spyros Faros, Mike Pougounas, Giannis Charalambidis, Stathis Kaliviotis, Thodoris Vlahakis, Kostas Kouzas, Christos Manolitsis.

Leave a comment

Posted by on December 22, 2011 in New Wave / Dark Wave


Scant Regard – Burnt Pop Cycles

Originally a Grade 8 classically trained guitarist at the Royal Academy of Music, Will Crewdson found cult status in the notorious UK rock band Rachel Stamp. With them he toured with many major bands including Iggy Pop, Korn, Cheap Trick and No Doubt as well as headlining and selling out shows as large as the London Astoria.

Since then, he collaborated with a wide variety of artists including Adam Ant, Johnette Napolitano and the film director Tom DiCillo.

Scant Regard is the brainchild of Will Crewdson, and “Burnt Pop Cycles” is the first official release.

On the 10 instrumental tracks of the album, Crewdson strives to fuse raw electronic beats and moods with the smooth, soaring sounds of Morricone‘s biting guitar-scapes.
Mix it up with a little Link Wray style rock’n’roll swagger and you’ve got a good idea of what to expect.

One thing that is obvious from the opening track “Zeronia 21” is that Crewdson is a guitar player that can easily come up with the right guitar riff.

And his riffs bring pictures to the listener no matter what the electronic beats sound like.

Film noir atmosphere on “Zeronia 21” and “Escupideras De Hielo”, fear and mystery on “Peachy Keen” and “Americandroid”, this album will have you comfortably sit back and listen to it
Cause the guitar is narrating 10 great stories.

Listening to “Burnt Pop Cycles” I was thinking that Crewdson could easily collaborate with John Barry or Ennio Morricone.
The truth is he is such a unique guitar player that you can tell him out of 100 guitar players playing at the same time…

So do yourselves a favour and buy “Burnt Pop Cycles” cause you won’t regret it.

You can find it here.


Posted by on December 20, 2011 in Music


Dark Days Festival 2011 – December 28, 29 and 30

>> Day I (December 28)

>> Day IΙ (December 29)

>> Day III (December 30)

Tickets : 5euro

For online presale click here

7 Sins Club (Themistokleous & Gamveta 5 Kaniggos sq.- Athens)


Luxury Stranger – Empty Men (Video)

This video was shot in August 2011 and was developed to promote the Empty Men single which was released to coincide when Luxury Stranger supported Gary Numan in July 2011.

This video was directed by Owen Tooth.


Posted by on December 14, 2011 in Goth, etc.


Shaun Histed-Todd – The Thirteen Questions

Englishman Shaun Histed-Todd is a Photographer and Digital illustrator, and I am sure you will find his work very interesting.  He not only works on books but he also does CD artwork due to his strong bonds with music, as you will find out.

Tribe4mian: The first time I was looking at your work, I found “Fetch” and “The Explorer” stunning. Where are these images from and are you strictly a digital illustrator or do you also work with brushes too?

Shaun Histed-Todd: Thank you, “Fetch” and “The Explore” are two of my favorites and certainly seem to be the most popular. Most of the time with my illustrations, I will have an initial concept of an idea and the image will just develop in my mind so it’s just a case of bringing it out. Other times something will develop from a doodle. I use a program called ZBrush which allows me to model and sculpt characters out of digital clay. Once I have my character I move over to Photoshop to develop the background.

95% of my work these days is all created digitally as I really like the added depth and realism that can be achieve with it. One of my main regrets was letting my traditional skills sit to the side to long, when I took up digital art I thought my drawing skills was like riding a bike, once you know how to do it you will always be able to do it, unfortunately this wasn’t the case and I now find it a struggle to get the feel with pen and pencil. I say to myself I will pick up the brush and paints again one day, it’s just a case of re-practicing. I do still doodle and sketch in pencil, so it hasn’t completely gone.

Tribe4mian:  I feel like your images are alive most of the time. Is there a hidden love for photography? Is there some special technique you use and do you have some special knowledge?

Shaun Histed-Todd: I’ve always had an interest in photography from my school days but had to wait till I was out and earning my own living before I got my first SLR camera from there it was a self learning curve, apart from a few night school courses in photography I’m self taught this is also the case with my artwork. I can’t say I have a special technique or special knowledge. Though having said that my stage photography, has took me awhile to get a technique that worked and I’m always learning and tweaking my knowledge there. I just like to capture the moment which is what photography is all about really, catching that momentary expression in a face or performance.

Tribe4mian: How did you get started? There is a lot of sci-fi, psychedelic colours, and gothic atmosphere in your work. What and who is influencing you?

Shaun Histed-Todd:  Well I’ve been drawing since a child as a pastime and as I stated above got into photography in my late teens again as a hobbyist. I’ve always looked for a different perspective in my art and photography, growing up in the post-punk scene always gave great character references, the weird and strange has always fascinated me. It’s been a long road to turn it into a profession, I’ve never had the business skills to sell myself well, but over time I’ve learnt from friends in business and hardened up a bit on my tactics and confidence.

I guess it’s fair to say that that I get inspiration and influence from a lot of literature that I read, the Unexplained – Lost and Ancient Civilizations – Magick / Shamanism – Quantum Theory – writers like Hunter S. Thomson and William Boroughs, Clive Barker probably had an influence on me at some point and Sci-Fi, though most of what I read these days is Non-Fiction.

A piece of music can throw an array of images in my head or even a song.
I get asked what artists or photographers I aspire to be influenced by, but can honestly say I don’t have a particular favorite, I see some great artwork by other artists and photographers and I can say I aim at achieving the same quality but not their style. To me that allows, me to create my own style and hope they show something original.

Tribe4mian:  You are also doing the artwork for CD albums and posters for gigs. Which albums have you done so far ?

Shaun Histed-Todd:  Well this is a small area in my field of work and its one area I am always aiming to expand more into, as it combines my two passions Music and Art. Most recent CD was for a band called NightPorter from Newcastle in the UK and of course the NZG charity single. Prior to that I’ve produced artwork or photography for Sanguine (UK) Killing Miranda (UK) Sensorium (former members of Nephelim) and small local bands over the years. I used to produce a lot of art for Rave Clubs in the 90’s

Tribe4mian:  Are musicians too demanding when it comes to your work or you’re free to do whatever you want? What about the rest of your clients?

Shaun Histed-Todd:  Generally my experience with musicians has been positive, and I’m normally left to my own creativity. I always ask for a brief of what the client wants, so I have a fundamental angle on what’s being asked for, but after that they are happy for me to create freely. Other Clients I get work from are in the Corporate field (NHS or Retail organization), magazine and book publishers, one book that has just recently been published is Dead of Night by Lee Walker and I’ve just completed 18 images for an anthology book of cryptozoological horror stories for a writer by the name of Richard Freeman. I’ve done concept work for independent film directors.

Tribe4mian:  What is your connection to Nosferatu, how did it start and what is your experience from traveling with bands?

Shaun Histed-Todd:  My connection with Nosferatu, this is going back some years now, 20+ yrs to be more accurate. I was a roadie for them for a few European and UK tours and some memorable times. It started when I spotted an ad by them looking for a new singer and I was good friends with Niall Murphy, a talented singer and songwriter who was looking for a band to perform with. So I suggested he should apply for the role. He was a little reluctant at first I think that artistic confidence lacking we all seem to fall foul of at times. Anyway with a bit of pushing he eventually went for it, I knew he would be right for the job, he had a good voice on the Pete Murphy/Bowie side and a vibrant performer given the opportunity, and so the band clearly agreed as they got straight back to him and got him on board. As a way of thanks Niall, got me on the first tour as a roadie and that’s what I was till the original line up split.

I’m still good friends with Damian and occasionally chat with Niall, I haven’t seen or heard from Nigel for about 9 yrs, but would really like and hope to catch up again.

My experience in that time was brilliant, loved every moment of being on the road. I’m a very Sociable person so being out in a different country meeting new people and musicians seeing so many bands that where unheard of in the UK. It was also the inspiration that set me off on the path of stage photography. Would I do it again given the opportunity, definitely for the right band and commitments permitting. I feel lucky to have had the opportunity and to being in good company.

Tribe4mian:  What is your all-time top 5? Which albums are landmarks in your life? For which artists would you like to create art work?

Shaun Histed-Todd:  Landmark albums! Hmm let me think…Well I would say

  • Adam and the Ants – Kings of the wild frontier– but then I was introduced to “Dirk wears white socks” which to me now is a classic piece of work and still stand out as a ground breaking album.
  • Killing Joke – all albums….Ok if I have to pick one it would be “Extremities Dirt and Various Repressed Emotions” it’s edgy and full of Anx and angry energy in a powerful and passionate sense.
  • Fields of the Nephilim – Dawnrazor – dark and atmospheric and I love that ghostly spaghetti western feel.
  • Cardiacs – now I really can’t name one particular album, as each one is groundbreaking genius in their own right and each stand as a landmark in music to me.
  • Fun^Da^Mental – Erotic Terrorism – This album opened me up to cross cultural music, and how fusing styles really does wonders- Asian Beats with Punk and industrial just wonderful.

Which artist would I like to do artwork for! I would be happy to do artwork for any artist, but I would have to say I would be honored to do something for my all time favorites Killing Joke.

Tribe4mian:  You also host an internet radio show. Where can we listen to this show of yours and what can people expect?  Your work doesn’t feel like you’re “The Carpenters” fan… Which bands influenced you?

Shaun Histed-Todd:  Yes I started this by chance or accident after connecting up with Jet, who was DJ’ing on wicked spins radio. She made the suggestion to go for a slot, I was a bit “ Ah I don’t, never thought about doing Dj’in let along hosting a radio show…” my music tastes are quite varied and some very experimental, so wasn’t too sure if people would be up for what I would want to play.

But never one to turn away an opportunity and try my hand at something new I agreed, made contact with WSR and started The Snuff Monkey Show, in Jan 2011. However it appears there are lot of people out there who do have similar mixed tastes and have been looking for a show like mine.

Initially I kept it pretty much to playing artists I knew people where familiar with old goth / punk alt rock classics, but only the ones I felt that pioneered their own sound and styles. I’ve continued the path but now will play any artist that will step out from the crowd and do their own thing. To me that’s what music is all about, defining your own signature sound no matter what genre they come from. Bands like Psychic TV – Cardiacs – Fun–Da-Mental – BauhausSicknote Moira ScarDead Skeletons, I’ll venture into the realms of Dub or Psych rock a bit of Rap, but with most of the artists I play you will notice that no other band sounds like them. For this reason I term my show Genreless, and people can tune in to the show every Sunday 6 PM (UK) at

Tribe4mian:  What about Wicked Spins Radio? What is so special about this radio station?

Shaun Histed-Todd:  Now if becoming an online Radio Host was a new step in direction for me, then becoming a co owner of WSR along with my wife Karen AKA Mrs Monkey and Jet Away who initially got me started on this. Well that was something I don’t think either of us expected. But in Oct 2011, the former owners Kirsty and Chris, offered us the station as they could no longer dedicate the time to it with busy lifestyles.

So this is another new chapter in my life, and again one I’m proud to be part of and very grateful for the opportunity.

WSR has been set up and running as a Rock Metal station for the past 4-5 years with a lot of success, we aim to keep this tradition but we want to bring other elements of music into it, real music for real people shall I say as long as it’ not mainstream. Alt rock – EBM – Dubstep – 70 – 80’s -90’s Nostalgia – Psych / Space rock – Dub and Ska.

We have a list of great shows already and more starting from January 2012.

Tribe4mian:  You are attending gigs all the time. Can you name your top 3?

Shaun Histed-Todd:  Always attend gigs whenever I can, nothing better than a good live show. Can I name my top 3 !! Err no……………….But I’ll try…

First that comes to mind was Dead Can Dance, 6 years ago at The Forum in London, I’d waited a long time to catch them live and I certainly wasn’t disappointed, the who show was captivating and hearing Lisa Gerrad’s voice was sublime to hear live.

Killing Joke on their 1st re-formation of their original line up ( Yes of course KJ had to be in the top 3) even though I’ve not walked away from Joke gig without feeling well rewarded, I have to say I felt this show in particular topped them all for me, they kicked out the tunes with such fever, I danced through the whole set, which I hadn’t done for a band in many years.

My 3rd choice I think I will have to say would be my first Cardiacs gig right back in the summer of 89, I didn’t know much about them at the time, and had only heard some tracks played by a very good friend Johnny, who was the one said we had to go and see them. I’m am so glad we did because it opened me up to a whole new spectrum of what music and performance can and is about.

I will always remember thinking during their set, “Are these people on day release from an institution” because their performance was just so manically insane bursting with pure energy, tight perfect and genius songwriting. That one show has had me hooked on them ever since, and every other show I attended of theirs was equally on par. But that first exposure to them was the Key.

But see I want to also add The Mathew Ashman Celebration last year, with Cheifs of ReliefAgent ProvocateurBow Wow Wow and Adam Ant, as to get to see all these bands on the same bill was one of chance. Adam, played a full punk set and was joined on stage by Will Crewdson and David Ryder Prangley of Rachel Stamp and Boz Boorer and were perfect for the night. To me it felt as close to seeing what the original Antz would have been like.

Tribe4mian:  Do you believe art is a medicine for one’s soul? Do you believe each one of us has a special talent that we have to discover or is it just some people that have something special? Are the artists the shamans of this world ?

Shaun Histed-Todd:  Yes I think art is a strong remedy for the soul, if I ever feel low or a bit down, which is rare for me really, but if I do, sitting down and getting creative certainly helps me to clear any negative thoughts. I do believe we all have some hidden talent in us, the subconscious seems to be geared up to be creative and it just a case of sitting down and allowing your consciousness to communicate with the inner companion.

Not sure how to answer about if artists are the shamans of the world!! Shamans are artists of the Psych, with the ability to go into other plains of reality and higher consciousness with their techniques. I suppose it could be said that an artist does the same, if they are a musician a melody can take the player and listener on to similar realms, and I’m sure playing live can bring about an altered state of consciousness as so with a visual artist. The Visual artist launches themselves into their minds to see new alternative worlds for which we paint so in theory we are all psychonaughts.

Tribe4mian:  Compared to the music scene of past decades, what do you think of the music scene of today?

Shaun Histed-Todd:  Different…!! The scenes that I grew up with (Punk/Post Punk/Goth) were very artistic and experimental, it was fresh and people would go out of their way to look different and if you where in a band you wanted to sound different as well. There are bands in the UK that still continue this trend like Sicknote – Cold in BerlinThe Men That Will Not Be Blamed For NothingThe Shanklin FreakshowThe Unkindness of RavensUlterior –just to name a few. Who have created their own individual sound and scene, as long as there is an underground music there will always be fresh sounds. So currently it’s looking healthy, and hopefully will continue to produce more original and creative artists.

Tribe4mian:  One day I was writing about Michael Moorcock and I came up with the idea that sci-fi literature blossomed during WW2 as the writers found fantasy to be a hideout from harsh reality. What would you prefer:  Fantasy or reality and why? Can we make this world a better place?

Shaun Histed-Todd:  Well that all depends upon a person’s perspective of what is reality!! In a Quantum sense our waking reality is just an illusion the mind generates out of the chaos of energy and our fantasies and dreams are the true reality. But we could go down a rabbit hole with that one.

Personally I like to keep myself in both, that way at least I’m in touch with one real world, whichever way it really is… LoL

Can we make the world a better place! Yes I believe we can, I like to think that keeping positive thoughts about everything can and will bring positive change especially on a mass level. The problem I see is that our society is geared up to accept and think negatively, by being told by our media outlets all the bad things that are going on in the world and our neighborhoods. So we need to break free from this negative thinking and start looking for the positive. Because wherever there is a negative there is always a positive, the ying and yang. I hope that makes sense, it does in my mind anyway.

Tribe4mian: Thank you very much for this interview Shaun.

Shaun Histed-Todd: It’s been a pleasure! Thank you for asking me.

More information about Shaun Histed-Todd can be found here.


Posted by on December 10, 2011 in Interviews



I’ve copied the following from the Facebook profile of the producers:

A fact not widely known is that the Greek rock music scene exists for almost 5 decades now. Greek rock musicians have shown noticeable skills on playing and composing music and some of them are widely known abroad. But it was only during a single period of these five decades that the music trends of the Athenian underground were fully synchronized with the music played and heard all over the western world –and that was the decade of the 80s. It was the only time in which the music trend in Athens was no different than that of London, New York, Berlin or Paris. For that reason a lot of Greek bands were included in compilations from European and American labels and some of them participated in concerts or went on tours in the big cities of Europe and the USA. The purpose of this documentary is to highlight the all but forgotten DIY music culture of the Punk, Post Punk and New Wave Music Scene in Athens in the 80s.

For this purpose members of the most important bands, club owners and independent record label owners of this period will be interviewed. We are going to use footage from 80s concerts and clips from the riots and other events that took place at that time as well as images of music and political posters and photos from newspapers and magazines.

The landmarks guiding our trek through the 80s will be 6 musical and political events:

1. The 1980 concert of The Police (the first rock concert held in Greece ever since the appearance of the Rolling Stones in 1967!) and the “3 days of Independent Rock” concert in 1982 (The Birthday Party, The Fall, New Order plus the Greek bands Metro Decay, Magic De Spell and Forward Music Quintet) that provided the spark for the indie music scene in Athens.

2. The occupations of universities by students and anarchists in the center of Athens in 1984-85 as a result of the murder of Michalis Kaltezas. Kaltezas, a 15 y old student, was murdered by a policeman who shot him during riots.

3. The 1985 “Rock in Athens” concert (The Clash, The Stranglers, The Cure, Nina Hagen, Talk Talk, Depeche Mode, The Culture Club and Telephone).

4. The 1988-1989 decentralization of the anti-establishment political movement and the faction of the DIY music scene that was part of this. This decentralization was a result of the police raids known as “Epichirisi Areti” (Greek for “Operation: Virtue”) in the center of Athens and mainly in the area surrounding Exarchia Square.

5. The 1988 Triffids concert violently interrupted by the fans (right before the appearance of Public Image Ltd) that signed the “end of innocence” for the 80s generation.

6.The ending of the Polytechnic School occupation [students and anarchists had occupied the campus protesting the “free of all charges” release of the policeman who had killed the 15 year old in 1984] with the “300 Meter March”, which was all that the police permitted. The march can be accordingly headlined with the legendary banner crying “WE ARE THE BLOOM OF YOUTH”, the exact expression that the Minister of Public Order had previously used to describe the men of the riot police… These were the events that signaled the end of this period’s anti-establishment movement.

The title of the documentary is a quote from the following announcement made by the chief of the Athenian police addressing the protesters in Exarchia Square at 5/9/1985:
“The protest march is forbidden, remaining in the Square is also forbidden because there is no asylum here. Also, if you dare to shout anything like ‘cops, pigs, murderers’ you will be crushed”. The announcement forced the protesters out of the square actually “guiding” them to occupy the nearby university grounds where the police could not enter (Universities in Greece are considered an “Asylum” where the police are not allowed) –so a new kind of anti-establishment struggle began.

Our objective is the use of a three level structure (mixed but not equally divided) in this documentary:

1. The main part will consist of interviews with the bands, music video tapes, 80’s news clips, posters, pictures etc
2. One of the major participants in the 80s riots, Panayiotis Papadopoulos (“Cain”), will in a preface briefly describe the most important events of that decade.
3. The plot of the film will incorporate all these elements with a complimentary fictional storyline. The audience is first confronted with a woman (she is actually a ghost, a reference to the 70s) trying to pass a cassette tape (trademark medium for exchanging music at that time) through the members of the bands interviewed to her daughter (a reference to the 90s). The band members are inhibited to see the woman of the past and to connect to the woman from the 90’s due to their radical approach to music. So, the transaction will occur without their participation (as it did in fact happen to music in real life) only to conclude the whole effort was pointless after all.

Interviews and music from the following bands:
AntiTroppau Council, Metro Decay, Clown, Magic De Spell, Libido Blume, Villa 21, Yell-o-Yell, Parthenogenesis, FMQ, Stress, Auschwitz, Arnakia (“Lambs”), ANTI (“Against”), Anypophoroi (“Intolerables”),The Last Drive, Choris Perideraeo (“Without a Necklace”), Genia tou Chaous (“Chaos Generation”), Ex Humans, The Flowers of Romance, Not 2 without 3 and South of no North.”


Posted by on December 6, 2011 in Documentaries


The Artist Formerly Known as Captain Beefheart

An excellent documentary from 1997, narrated by John Peel.

Leave a comment

Posted by on December 4, 2011 in Documentaries



Visit this link for T&M 006 – The U.K. SUBS 2012 Calendar

Featuring the photographic talents of our Jez Keefe, this beautifully produced A4 (opening out to A3) calendar features photos of the band taken from the last few years,  plus some key dates that should be in all Subs fans diaries!

As usual, all proceeds will go towards Charlie Harper’s Charitable Cause

(For more information – click here)

Department S the post-punk legends who brought you the classics ‘Is Vic There?’, ‘Going Left-Right

and ‘I Want’ are back and touring with their amazing new album “Mr Nutley’s Strange Delusionarium“.

You can catch them up live tonight, 2nd December 2011 at The 100 Club, London with the Priscillas.

Devilish Presley 10th Anniversary Tour 2012

Dates so far confirmed.

Friday March 2nd 2012 PONTYPOOL @ The Hog & Hospur
Friday 23rd March 2012 LONDON @ The Pipeline/Dead & Buried
Friday 13th April 2012 GRIMSBY @ Yardbirds

More dates to follow –

NEW SINGLE OUT March 26th 2012!!

But, before that, Devilish Presley will play on Thursday, 8 December 2011 on the “BENEFIT FOR KEVIN & MICHELLE – THE APPLEBY HAS CLOSED!!

The band will be on stage at 9pm and there will be 3 support from Murder of Crows / Trioxin Cherry / Alcohol Licks + DJ Dr Decay** Between the bands and after….

At The Adam & Eve Pub 203 Bradford Street Digbeth Birmingham B12 0JD

Leave a comment

Posted by on December 2, 2011 in Concerts / Performances, Music