Monthly Archives: February 2018

“Twilight Zone” – The new Ministry music video

New Ministry music video from the soon to be released album entitled “AmeriKKKant”!

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Posted by on February 28, 2018 in Electronic, Metal, Politics


Kevin Haskins – Bauhaus – Undead (Cleopatra Records 16 March 2018)

Bauhaus’ co-founder Kevin Haskins to release ‘Bauhaus – Undead’ Art Book via Cleopatra Records

Bauhaus‘ member Kevin Haskins will be releasing ‘Bauhaus – Undead: The Visual History and Legacy of Bauhaus’ on March 16via Cleopatra Records. While this is an elegant and tasteful deluxe coffee table art book, it is also a historical and intimate trip through the development of this groundbreaking band from the perspective and memorabilia of one of the quartet’s founding members.
Carefully curated from a largely unseen collection of memorabilia and combined with personal recollections by original member and author Kevin Haskins, this beautiful high end coffee table book (10’’ x 13’’ in 316 pages) takes readers on a visual journey from the bands inception in late 1978 to their breakup in 1983, through to their very successful reformation in 1998 and eventual legendary performance at The Coachella Music Festival in 2005.
Bauhaus is one of the few groups of the post-punk era to achieve truly mythic status with a savory legacy of artful, timeless, dark rock and theatrical performances. Bauhaus has always been, and continues to be a pivotal link in the evolution and revolution of contemporary music.
‘Bauhaus – Undead’ features original stories penned by Kevin Haskins about poignant and sometimes amusing moments throughout the band’s hallowed career, as well as largely unseen materials, such as photographs from Kevin’s personal collection, band artwork and sketches, DIY flyers made by the band members themselves, backstage passes, show posters, set lists, contracts, tickets stubs, fan club material, pins, their recording schedule, vintage gear photos, tour itineraries, letters, a Bauhaus comic strip | and hand-written lyrics.
Kevin has worked with the impressive design team of Jeff Anderson of Artist In Residence and Donny Phillips and Kaylee Carrington of KIHL Studio. The unique design reflects the bands stripped down aesthetic and art school origins. This is a fitting tribute and celebration of the legacy created by this revolutionary group.

Bauhaus was formed by Daniel Ash in the small industrial town of Northampton, England in the Winter of 1978. Plucking Peter Murphyfrom his dead end job at the printing works, remarkably, he had no idea if he could sing and just recalled that he was the most charismatic looking one among his high school friends. His intuition was dead on! Following a couple of rehearsals in his parents living room, Daniel recruited the two brothers, Kevin and David Haskins, who would make up the band’s formidable rhythm section.
After being together for only five weeks, the band recorded their legendary and timeless nine-minute single ‘Bela Lugosi’s Dead’, which remained at number one on the British Independent chart for two years. Three years later, the band performed the song for the dramatic opening scene of Tony Scott‘s sensual vampire movie ‘The Hunger’. Seminal and groundbreaking, the group was too busy following their own muse to chase after fly-by-night-trends. The pioneering spirit that fueled their work established Bauhaus as one of the most important and influential artists of the past three decades.
Their eclectic influences ranged from Psychedelia to Punk, Dub Reggae to Glam, the latter surfacing most notably in their audacious cover of David Bowie’s ‘Ziggy Stardust’, which earned them their first national chart hit in October 1982. The band went on to record four critically acclaimed albums before disbanding in 1983.
In 1998, the band reformed for an extremely successful ‘Resurrection’ World Tour, attracting a much larger audience than they originally enjoyed back in the day. They sold out three nights at The Palladium in Los Angeles in a record breaking fifteen minutes, attesting to the timeless quality of their music and their ever growing fan base. During its last decade, Bauhaus released a new studio LP ‘Go Away White’, toured with Nine Inch Nails, and played a legendary headlining performance at The Coachella Music Festival in 2005.

Many Artists have name-checked Bauhaus as influences, including Radiohead, Bjork, Massive Attack, Sigur Ros, Nine Inch Nails, Tricky, Yeah Yeah Yeahs, The Flaming Lips, The Horrors, Jello Biafra, Marilyn Manson, Janes Addiction, Tool, Jarvis Cocker, The Red Hot Chili Peppers, Hole, Interpol, Skinny Puppy, The Smashing Pumpkins, and Nirvana, to name just a few.

To mark its release, On March 16Lethal Amounts and Cleopatra Records will present ‘UNDEAD ~ A Bauhaus Book Release and Signing Party’. While the doors at Lethal Amounts open at 7 pm, the book signing with Kevin Haskins takes places from 8 to 10pm. Books will be sold at the gallery or guests can bring your own copy to be signed, but no records, CDs or other outside merchandise will be signed. Exclusive and limited edition merch is also expected to be available at the event, which will also feature a special guest DJ set.

In the meantime, copies of the book are now available signed and unsigned via Cleopatra Records at Signed copies will no longer be available after the street date of March 16.

Keep up with Kevin Haskins / Bauhaus – Undead
Website | Facebook | YouTube | Twitter Kevin Instagram | Bauhaus – Undead instagram

Keep up with Cleopatra Records
Website | Facebook | Bandcamp | Soundcloud | Twitter | YouTube | Instagram

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Posted by on February 28, 2018 in Goth


Mark Stoermer – Filthy Apes and Lions (St. August Records 2017)

By the end of 2017, Mark Stoermer released his album “Filthy Apes and Lions”.

From its very opening, “Filthy Apes and Lions” sounded interesting and I thought  “nah… as it happens most of the time, it’s just the first song that sounds good…”

The video of the song is directed by Lee Hardcastle known for The ABCs of Death (2012), GUNSHIP: Tech Noir (2015) and An Alien Claymation (2013)

On the second track, “Beautiful Deformities”, things developed even more interesting and it became obvious that there was a kind of experimentation and psychedelia in the air…

Lyrically the songs were surreal but… still very interesting…

When “Racing In the Rain” started I said “ha! A Beatlesque track” but when the chorus came in things turned more Pink Floydish

Ok, now Mr Stoermer got my attention, so, as mainstream bands are not my cup of tea, I had to look up to find who he is…

Bass player Mark Stoermer was on the original line-up of the American rock band The Killers but a couple of years ago he announced that he would stop touring with the band, which of course was news to me…

So now, this “Filthy Apes and Lions” album that came out through his own record label, was becoming an even more pleasant surprise.

The surreal lyrics continue on “Dwarfish Trumpet Blues” that follows and the song ends in a typical 60’s psychedelic spirit…

One more animated video was made for this song, directed this time by Rafael Bonilla. (If I got the right one, he directed the documentaries La Carta and La batalla de las cruces)

Classic music influences appear on “The Perennial Legend of Dr. Mabuse” about the fictional character created by Norbert Jacques in the novel Dr. Mabuse der Spieler.

As we all know Dr. Mabuse from the three movies that Fritz Lang did about this character, the music video directed by Yoshi Sodeoka and Mark Stoermer himself, is flirting with a 1920’s cinematographic spirit.

Mica Rae” is a metaphor about modern life decay and a crazy rich woman.

Musically it returns to the Beatlesque feel and to the 60’s pop music forms…

The next one opens with a church organ bringing out to light another creature taken from the era of German expressionism: “Nosferatu Blues”.

The song takes an unexpected psychedelic turn with a Middle Eastern flavor while Stoermer sings “Look at me I’m a real vampire / I just wanted to live forever” and vanishes into thin air…

What follows is a 9 minute jazz-rock epic.

An instrumental piece titled “Muju’s Revenge” full of great piano, guitar and electric piano improvisation in a very 70’s sense…

The video is again directed by Rafael Bonilla

People Take Pictures of Each Other” is the playful tune that closes the album…

As I said, “Filthy Apes and Lions” was a surprise for me.

It made me want to listen to the other two solo albums that Mark Stoermer put out…

It is a delightful album and in combination with his videos and the themes of his lyrics, it shows that he has an interest in art in general…

A job well done Mr. Stoermer…

HERE is the link if you want to place your order for the album…

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Posted by on February 25, 2018 in Alternative, Prog-rock, Psychedelic


Heligoland – Coriallo (Commission 45, Soleil Après Minuit 4 December 2017)

Over the course of three albums, a series of EPs and singles, and nearly two decades of existence split between Melbourne, Australia and Paris, France,
Heligoland have established and refined a distinctive sound and style awash with texture and emotion.

Working at the margins of dreampop, slowcore, shoegaze, folk, and ambient pop, Heligoland’s music is characterised by expansive, layered arrangements
and the soaring vocals of Karen Vogt.

In one sense, Coriallo marks the end of a journey for Heligoland.

This new release is the final instalment in a series of EPs, each of which was written and recorded at different locations in the French countryside.

The series began, almost by accident, when a week-long trip to a tiny village at the foothills of the Pyrénées turned into a writing and recording session.

Heligoland’s most introspective, minimal, and atmospheric release, Bethmale (2012), was the result.

The band subsequently traveled to another small town, this time amidst the rolling hills and farmland of central France.

Recorded during the early days of spring, Sainte Anne (2013) is vibrant, vivid, and multi-layered.

Coriallo brings the journey to a close.

Written and recorded at a former semaphore station on the windswept north-western coast of Normandy, this new EP is the most expansive release in the series.

The immersive opening track “Ełk” and “Three” embody the fusion of “post-rock soundscapes with ambient textures and drone laced melodies”, as
Drowned in Sound ‘s Dom Gourlay has put it, that characterise the band’s best work.

The shimmering “Orion” is dream pop at its most alluring.

Vocalist Karen Vogt scales new heights on Coriallo, contributing her most assured and captivating performances to date. EP highlight “Trust” and the
delicate, hushed late-night atmospherics of “Anavo” provide the perfect platform for Vogt’s soulful ruminations and affirmations.

The recordings from Pointe de Jardeheu in Normandy were produced and mixed by Robin Guthrie (Cocteau Twins/Violet Indiana), with whom the band
are currently recording a new album scheduled for release in the second half of 2018.


1. Ełk
2. Orion (single)
3. Anavo (single)
4. Three
5. Trust

Keep in touch with Heligoland

Website | Bandcamp | Facebook | Youtube

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Posted by on February 24, 2018 in Alternative


A Devil’s Din – One Hallucination Under God (Island Dive Records 29 September 2017)

A Devil’s Din is 3 musicians born across the ocean, who found each other in Montreal, drawn by a mutual love of melodic, innovative, inventive and progressive rock music. Fusing the colourful sounds of Syd Barrett‘s Pink Floyd & the psychedelic-era Beatles with the adventure of Yes, Gentle Giant and King Crimson, A Devil’s Din is a truly unique modern musical hybrid.

A Devil’s Din is the brainchild of UK born David Lines (Vocals, Guitar, Keyboards).

Based in Montreal he is joined by Tom G. Stout (Bass, Guitar, Backing Vocals) and Dominique Salameh (Drums, Backing Vocals).

By the end of September 2017 their third album titled “One Hallucination Under God” came out through their our own label, Island Dive Records.

Following “One Day All This Will Be Yours” (2011) and “Skylight” (2016) they create now a trans-dimensional triptych.

“One Hallucination Under God” is a great album that holds 9 tracks that cover a soundfield between 60’s garage and psychedelic rock.

My fave tracks are “Home”, “Where Do We Go?” and “One Hallucination Under God” but the A Devil’s Din catches your attention by the first note of the opener “Eternal Now”.

Recommended for fans of psychedelic rock.

Keep in touch with A Devil’s Din

Website | Bandacmp | Facebook | Youtube

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Posted by on February 24, 2018 in Psychedelic


New Candys – Bleeding Magenta (Little Cloud Records 27 April 2018)

Venice, Italy’s dark psych rockers New Candys have just announced the dates for their first ever tour of the U.S. (check their artist tour page for dates).

The U.S. tour will take place shortly after their first tour of Australia.

The original pressing of Bleeding Magenta has already sold out and in preparation for their upcoming U.S. tour, New Candys asked Little Cloud Records if they would be interested in repressing and releasing the record in the U.S….

Of course, they said yes!

If you missed out on the Fuzz Club initial pressing, now is your chance to snatch up a copy on Opaque Magenta vinyl w/ full color UV gloss jacket & full color 2-page insert HERE

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Posted by on February 23, 2018 in Alternative


Mary and The Ram – The Cross (Anonymous Records 21 February 2018)

Mary and The Ram Unveil Video for Debut Single ‘The Cross’, Mixed by Legendary Producer John Fryer

British post-punk two-piece Mary And The Ram have unveiled the new video for ‘The Cross’, shot and directed in York by the duo’s frontman Kiran Tanna. It was produced by VIAPERFORMANCE with visuals designed by Harold and Arthur’s Horror Show. Tanna himself starts in the video, along with fashion model Gemma-Louise Keane.

“It’s a surreal and neon fever-dream; a vivid, drunken reflection of its creators. We wanted to create something extremely intimate. I decided to work one on one, with fashion model Gemma-Louise Keane. There was no crew and no cast involved in the final shoot… Only participants… Two bodies. Very little costume. Mostly skin. Surreal. Neon. Closeups. Full of occult sexuality. NSFW,” says Kiran Tanna.

“This document a process that we would participate in, ourselves: a coming together and a falling apart into something new. In this void, it remains an examination of the individual as a sexual, fragile, subject. Or something like that. I won’t talk much about the cube. Or the bodies. Or mist. At it’s heart it’s a lament… A eulogy. A cry. And, I think, an omen.”

‘The Cross’ is one of two tracks, along with b-side ‘The Dream’, presented as the duo’s debut single via Anonymous Records. Produced by the legendary John Fryer, who is credited for work with a massive number of seminal artists, including Depeche Mode, Nine Inch Nails, HIM, Love and Rockets, and Cocteau Twins, this new single delivers passionate, cathartic, concept driven electronic rock.

Based in York, Mary And The Ram is Kiran Tanna (The THING) on vocals, guitars, keys and programming) and drummer Dom Smith(Seep Away, The THING). Kiran’s background is mainly in dance, poetry and performance art, having founded the internationally-touring dance company VIAPerformance. Dom is involved in numerous musical projects and is also a potent force in the music community as editor of Soundsphere Magazine.

With influences that include Nine Inch Nails, Nick Cave And The Bad Seeds, Sisters of Mercy, The Dresden Dolls, Death From Above 1979 and Placebo, their love for these bands show through.”We’ve known each other for years,” says Kiran Tanna. “It took a few years for our schedules to align but eventually I started programming and playing synths with one of Dom’s existing bands – a far doomier act called The THING!  It wasn’t long until we realised that our shared love of old-school industrial, arty-punk and dark, gritty electronic rock needed another outlet.”

“There’s nothing new under the sun – but that’s part of the challenge. And ultimately it doesn’t matter. With Mary And The Ram we’re trying to find uncommon territory and to work there – to do something innovative if we can, and to make something that you can come back to over and over again – we hope – and each time find something new. We want you to feel. And we want to feel with you. In a room. Your room or ours. On stage. In the pit. Wherever. The increasing digitisation of our lives binds us more and more closely together… But in so many ways we are growing farther apart. This stuff comes from a place that is drifting and uncertain and perhaps a little doomed.”
‘The Cross’ is available via BandcampMary and The Ram also plans to release their debut EP later in 2018.


Vocals, guitars, programming by Kiran Tanna
Drums by Dom Smith
Produced by John Fryer

Art direction / design / cover artwork by Scot Greenwell of darC Artz

Keep up with Mary and The Ram 
Keep up with Anonymous Records
Website | Facebook | Bandcamp | Soundcloud | YouTube | Twitter | Instagram

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Posted by on February 23, 2018 in Post Punk


The Dead Daisies prepare to release their brand new album BURN IT DOWN

As we enter 2018, The Dead Daisies are gearing up for a massive career defining year.

Their new album “Burn It Down” is a muscular tour-de-force, a tornado of founding drums, pulverizing bass, screaming guitars and in your face raw vocals.

Recorded in Nashville, with Marti Frederiksen at the helm, the band finished their 4th studio album mastered by the legendary Howie Weinberg.

The band has announced the UK and European leg as the first leg of many dates and festivals to be announced, including Japan, Australia, North and South America.

2018 will be the year of The Dead Daisies, count on it !

Festivals announced : Steelhouse Festival, Winterstorm Festival and many more coming soon.

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Posted by on February 22, 2018 in Heavy Metal


Tiersman – Big Trouble (17 February 2018)

Big Trouble was recorded live on December 2nd, 2017, released digital only and launched on February 17th, 2018 at the Hotel Metropolitan in Adelaide

All songs written and performed by Tiersman recorded and Mixed by Justin Hermesand and mastered by Dav Byrne.

Hailing from Adelaide, South Australia – Tiersman formed in early 2017 from members of Bronze Chariot, 99 Reasons Why, Damned Men and The New Mutiny.

Driving, heavy and chaotic post-hardcore with elements of doom.

Referred to as ‘stress rock’ by some.

Brooding and bludgeoning.

Tiersman are influenced by bands such as Breach, Pissed Jeans and Cancer Bats, whilst attempting to explore new ground and inject brutality,
with a lingering tongue in cheek swagger.

Tiersman explode in live performance, littering mess from their collective catharsises in mounds, whilst lyrically exploring everyday gripes and observations that challenge the hammering of the musical backdrop.

Big Trouble has received Adelaide local radio play since the release, and the launch on February 17th was to a capacity reached Hotel Metropolitan
band room.

On March 3rd, 2018 Tiersman will be supporting Melbourne’s Dead and Norway’s MoE at the Ed Castle in Adelaide.

Tiersman will be travelling to Melbourne for two shows on March 16th and 17th in support of the release of Big Trouble.

Order you copy HERE

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Posted by on February 22, 2018 in Post Punk


Blurred City Lights – Volker (eLaB Recordings 16 February 2018)

Dean Garcia and Jarek Leskiewicz release Blurred City Lights ‘Volker’ album

Blurred City Lights are releasing their long-awaited ‘Volker’ album. With ten tracks on offer, this is the second full album from this maverick soundscaping duo, which is comprised of Dean Garcia (Curve, SPC ECO) and Polish protagonist and multi-instrumentalist/producer/composer Jarek Leskiewicz (Sunset Wrecks, Opollo, SPC ECO), who have worked closely on many projects and collaborations over the years.

‘Volker’ is a timely set of songs that conjures that diverse and accomplished blurring and jarring effect that we have come to expect from Blurred City Lights. This record would translate into a blissful and euphoric effect live – a minimal band with mindful projections. The powerful provocative soundscapes this music evokes are windswept by sound.

“As the room goes dark, the crowd sparks up as first flickers of light begin to take shape, your eyes hypnotically follow the random wide scattered bleeps and pulses of light fractals,” explains Dean Garcia. “When the familiar dark core drones move in the crowd is already going wild and then the bass drops, wrapping around everyone in a singular glow, more sparks, more flickers as the fuzzy sequencers jar the senses before the huge boom of the drums break through the flash of light to blur your mind and shunt you into the 5D world of Blurred City Lights. ‘Volker’ is all about these elements”.

Blurred City Lights began in 2013, debuting with the ‘Neon Glow’ EP, which was possible thanks to online file swapping. Leaning heavily on stark and monochromatic elements, that record feels how it sounds – dark, forbidding and melodic with very firm nods towards Pink Floyd and Massive Attack, among others. The duo followed up with the full-on album ‘Anamorphic’ in 2014. Blending music genres even more, that multifaceted record held a strong sense of purpose, a rockier edge, and even more epic scope than the debut EP.

“This record came to life quite naturally. We started sketching ideas and writing songs with BCL project in mind again at the start of December 2017. Early on I presented a collection of various images that I made throughout the year. Dean was always very stimulated by evocative visuals and right away pointed at the first one and said that it should be the cover art for our new release. I agreed. I think that image motivated/inspired us quite a bit and sealed the fate of the record as a creative vision that must be completed,” says Jarek Leskiewicz.

“For me, this time around, the process felt more relaxed and full of a ‘first takes are final’ approach. While we were in contact for many years, it somehow felt like getting know each other again. More patient and (for the most part) understanding. There was a spirit of exploring and experimenting – something that I enjoy very much. I hope that listeners are able to hear the dynamics of that vibrant creative relationship in the music on Volker”.

‘Volker’ also features contributions by Rose Berlin (SPC ECO), Adriana, and Filippo Gaetani on vocals, as well as Steve Monti (Jesus & Mary Chain, SPC ECO) and WomBBaby. The album is available exclusively via Blurred City Lights’ own Bandcamp page.

1. Obstacles  05:20
2. Secrets  06:12
3. Night Crawlers  04:25
4. For A Day  04:46
5. Don’t Let Go  05:36
6. Is This It  05:08
7. Clusters  05:18
8. Starry Eyes  04:06
9. Volker  07:09
10. Argue Till We Die  05:23

Keep up with Blurred City Lights
Facebook | Bandcamp | Soundcloud

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Posted by on February 21, 2018 in Electronic