Category Archives: Alternative

Various Artists – A Call to Instruments vol.I (Aza Records 2017)

Aza Records is a collective of musicians trying to promote their work and help others do the same.


The following is taken from the official site of the collective…

Dear friends, musicians, lyricists, poets,
entertainers & inspiration lovers.
This is a call to instruments.
This is Aza Records.
A collective of independent bands from your neighbourhood.

The story starts about seven years ago.

At the time, I was singing in cover bands while writing lyrics, in search of a band that would fulfil my artistic needs. My bass guitar was rusting away, in a corner in my room for more than eight years. It was then that I had the first talks with other musicians, friends of mine, to start a project completely new so we could express ourselves more.

We then started The Jesterdays, my first and most beloved band and Metronomic Head Move. We were so optimistic back then, ready to spend endless hours on rehearsing, recording and playing live. But it wasn’t just us. The whole city was moving in a frantic pace, it was like a revolution in my eyes, I haven’t seen anything like that in Thessaloniki since the mid-nineties. More and more bands popping up and making music without the support of record labels, with minor resources and even less promotion, we were fighting the crisis with music, lyrics and creativity.

We cannot close our eyes and pretend the crisis didn’t happen. The music scene in Thessaloniki lost many artists because of the crisis. A lot of people moved abroad, seeking a better future and many bands broke and shattered. But their members kept in touch. The ones left behind, were joining other bands or giving birth to new ones. They even managed to cooperate with musicians that left Greece, through the internet. I used to call that ‘’the Hydra effect’’, you take one head off and two swap and take its place. That’s what happened with Lazy Aftershow in 2012 right after Metronomic Head Move. Lazy Aftershow was something fresh, honest and borderless. An instrumental trio (guitar, drums & bass) working effectively on both composing and self-managing issues and earning very quickly the respect of the local scene.

Meanwhile The Jesterdays were working with other groups, adding friends and fellow musicians on stage and having guest musicians play in their recordings. Both The Jesterdays and Lazy Aftershow shared the stage with bands and artists as Big Sleep, Kappa, Solar Music Library, Lemonade on Stage, Ledge Fortcher, The Family Idiot, Day end, Minor Mine, st Atom Heart, Unshaped Ahead, One man Drop, Vygotsky Circle, The Next Saturdays, Mother Turtle, Sick boys Connection, The Rundays, New Zero God, Adolf plays the Jazz, Mani Deum and many more.

We opened our eyes to the simple fact that there were a lot of great musicians around us and it was to everyone’s best interest if we worked together instead of working on our own.

I was the happiest man ever and I was already talking individually to musicians about the idea of gathering all this music and framing it as one. With no musical borders but with the common goal of promoting and respecting each other.

What were initially whispers were turning into long talks and long talks turned into plans to set up a platform for all those bands to stick together and promote their music. We decided to add even more bands to form a library and a data base for the independent music scene. After performing together and supporting each other throughout the last hard years, the feelings of solidarity between bands were now a given. Without even realising, we had started to self-organise. Now it’s time to do it in a larger scale and involve even more people. We have had agreements and disagreements about many things but the simple fact is that together we are stronger and soon we will be able to support and add more bands to our collective. It’s up to us to promote our music and help others do the same.

Sincerely yours,
Aza the Lazy Jester

You can download for free the first compilation of Aza Records from HERE!

Don’t hesitate to spread the news, these files are made for sharing!

Important note :  “Aza Records doesn’t own the rights of the songs that take place in the artists section of our home site .We are only promoting artists and bands with no commercial use and profit from these activities.All rights belong to their respectful owners…”

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Posted by on February 13, 2017 in Alternative


Black Needle Noise with Mimi Page – Swimming Through Dreams (17 February 2017)

Legendary producer John Fryer releases Black Needle Noise single with Mimi Page.


Legendary producer John Fryer, one of the most innovative sonic architects on the music scene, is releasing new music under his new project Black Needle Noise, dubbed “the spiritual successor to This Mortal Coil” by Cold War Night Life. Best known for his production work, he also branched out as a musician as one of only two constant members of This Mortal Coil (along with Ivo Watts-Russell), providing keyboards, strings and synthesizer sequencing for the band, and its offshoot, The Hope Blister.

In 1979, John Fryer started his career at London’s Blackwing Studios (London) and soon began working with seminal bands on the 4AD, Mute, Rough Trade and Beggars Banquet record labels, including Depeche Mode, The Wolfgang Press and Cocteau Twins. His achievement in helping develop the latter’s pioneering ethereal and ambient sound ultimately led Watts-Russell to recruit Fryer as his partner for This Mortal Coil.

He has produced many other groundbreaking artists, including Yaz (Yazoo), Nine Inch Nails, Clan of Xymox, Nitzer Ebb, Love and Rockets, Xmal Deutschland, Fields of the Nephilim, De/Vision and Stabbing Westward, Swans, HIM, Cradle of Filth, Jesus Jones, Swallow, M|A|R|R|S (A.R.Kane & Colourbox), and many others. More recent projects involve Dead Leaf Echo and The Foreign Resort.

Over the past two decades, John Fryer has also produced several film soundtracks, including Seven, Clerks, Johnny Mnemonic, Mortal Kombat, Faust and Resident Evil: Apocalypse. 

The latest Black Needle Noise single ‘Swimming Through Dreams’ features renowned ethereal vocalist Mimi Page, who recently co-wrote and contributed vocals and programming on four tracks from Delirium’s 15th studio album ‘Mythologie,  which debuted at #7 on Billboard’s Electronic charts. Based in Los Angeles, she is also a singer-songwriter and composer of cinematic dream worlds.

This is a hypnotic ethereal track with swirling echoed croons, layered over a bed of textured dreamy electronica.

John Fryer and Mimi met through the album listening party for Delirium last September. After learning that she is a huge This Mortal Coil fan, the two undertook to collaborate. “We wanted to capture a very atmospheric dreamy sound and I think we did that. It was a great pleasure working with her as with all the vocalists on Black Needle Noise.”

Black Needle Noise creates the virtual soundtrack to movies you haven’t dreamt of yet, presenting musical soundscapes, audio alchemy, and sonic sculptures with film noir blues overtones. Nobody should be surprised by the fact that this music brings to mind artists ranging from Cocteau Twins to Nine Inch Nails, all of whom he has produced.

“Black Needle Noise takes you to a whole new level of Shinier, Richer, Darker Noise PoP. This project will just keep growing and growing – there are no rules or boundaries for it. The music will be whatever it will be – whatever comes out of me. It can go in any direction it wants. As long as I keep going, it will keep going”, explains John Fryer.

The project has been low key since commencing last year. “I was going to release the first track ‘Bang Bang’ on my birthday (January 11), but that very morning it was announced Bowie had died, so it kind of knocked me sideways that day”.

Long-time fans of John Fryer’s musical output will be drawn to his trademark sound, and new listeners will love the layered richness, experimental tones, effects and melodies. Informed by decades of sound-crafting, the advent of Black Needle Noise marks Fryer’s continuous and ever-evolving move into the future.

Black Needle Noise is releasing singles one by one towards the next album. Other recent singles feature Jarboe from Swans, Canadian-born songwriter/ guitarist Jennie Vee (she also plays bass in Courtney Love’s band Hole), as well as Omniflux of Puscifer, Kendra Frost of Kite Base, Andrea Kerr of Colt, Elena Alice Fossi of Kirlian Camera, and Zialand, among others.

‘Swimming Through Dreams’ will be available via iTunes and various streaming platforms, and is already available on a pay-what-you-want basis via Black Needle Noise’s Bandcamp page.

Keep up with Black Needle Noise / John Fryer

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Keep up with Mimi Page

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Posted by on February 8, 2017 in Alternative


Someday – This Doesn’t Exist (Seahorse Recordings 10 February 2017)

Someday to Release Debut Album ‘This Doesn’t Exist’ on Seahorse Recordings


Seahorse Recordings presents the new 10-track album from Someday, called ‘This Doesn’t Exist’. Now based in Turin (Torino), this trio is comprised of Daniele Bianco, Michele Fierro, and Fabio Digitali. The first single from this album is ‘Last Lesson’.

This is Someday’s debut album, entailing a search for balance and essentialness that may be appreciated by fans of early Tokyo Police Club and Foals, Bombay Bicycle Club, Placebo, Born Ruffians, Hot Hot Heat, and The Stills. The band cite numerous influences, including early Sparklehorse, The Smiths, Joy Division, Placebo, Sonic Youth, The Cure, Paolo Conte and La Crus.

“Our song ‘Last Lesson’ was inspired by a true story happened some years ago, a very common and sad story. What happened made me think that, sometimes, when “something strange embraces you” and you think you are helpless, you just have to wait, nothing else… because maybe the solution is simple but you can’t just see it,” says Daniele Bianco. “”As usually happens with bands, the first album is a both a starting point and a goal… I hope it’s only the beginning because we have a lot of other stories to tell, and some of them are ready for the telling.”

“‘Last Lesson’ came about naturally, as it often happens when music works well… we play, we look in each other’s eyes and we know immediately that the song just works. It sounds sweet and disturbing… like the feelings we often feel,” explains Michele Fierro. “We are very happy because it is like we always wanted it to. Every song has its particular feeling and it sounds like we imagined. We can’t wait to play it live.”

Aptly titled ‘This Doesn’t Exist’, the lyrics from this album speak about what no longer exists, never existed and will never exist. Lead tracks ‘Last Lesson’ and ‘Clean Couch’ are about people or animals that have gone to a better place. ‘Little Choices’ cites that we have no more achievable choices. ‘Shelters and Picture’ note places that are no longer reachable. ‘Jokes’ explores imaginary lives built on a lie, while ‘Maurizio’ tells of lives that have lost something very important. ‘Forgotten’ reveals certainties that are nothing but obvious illusions.

Through this album, the band highlight the trivial occurrences of ordinary lives, with shifting musical trajectories between dark and post-rock (Forgotten, Waitings, Little Choices) to indie pop (Clean Couch, Shelters, Picture), as well as new wave and light psychedelia (Last Lesson, Gliding, Jokes). ‘This Doesn’t Exist’ is full of black and white atmospheres but celebrates the many shades of grey in between.

Someday was formed in Collegno, a city close to Torino (Piedmont, Italy) by two childhood friends – Daniel Bianco (guitar/vocals/lyrics) and Michele Fierro (bass). Initially rehearsing in Michele’s living room and Daniel’s cellar, they began making demo tapes, had several singles on Italian music compilations, and eventually released their debut EP “Flowers in the Cellar” and two singles ‘Divano Pulito’ and ‘Rifugi’ in 2016, produced by Luca “Vicio” Vicini of Subsonica. They were then joined by drummer Federico Segato to form a trio, who was subequently replaced by Fabio Digitali.

‘This Doesn’t Exist’ will be available digitally via key digital music platforms as of February 10 and is already available for pre-order on Someday’s Bandcamp. In late February, it will also be available on CD with distribution via Audioglobe.


1.Clean Couch 03:54
2. Forgotten 03:05
3. Last Lesson 03:40
4. Shelters 02:58
5. Waitings 03:39
6. Picture 04:10
7. Maurizio (Little Star) 02:53
8. Little Choices 04:59
9. Jokes 04:53
10. Gliding 04:11
Music by Daniele Bianco and Michele Fierro, lyrics by Daniele Bianco
Daniele Bianco: vocals, electric guitars, glockenspiel
Michele Fierro: bass
Federico Segato: drums

Additional guitars and synthesizer: Paolo Messere

Recorded and mixed at Eye & Ear Studio (Fiumedinisi, Messina) on July 17-31, 2016.
Produced and mixed by Paolo Messere, assisted by Giuseppe Barbera
Mastered by Paolo Messere
Cover artwork by Simone Valentino
Video directed by Nicolò Roccatello
Keep up with Someday

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Keep up with Seahorse Recordings

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Posted by on February 7, 2017 in Alternative


Divisionists – Daybreak (Mount Watatic 17 March 2017)

London outfit Divisionists announce debut album ‘Daybreak’, tease first single ‘Say Can You’ 


London-based psych power pop outfit Divisionists have announced they will be releasing their debut LP ‘Daybreak’ on March 17 and present the first single ‘Say Can You’ as a teaser. This album will be released digitally and on vinyl via Mount Watatic Records.

‘Say Can You’ is a refreshing and upbeat track with hints of early Teenage Fanclub, The Lemonheads, Matthew Sweet and Bob Mould (including his project Sugar), albeit with softer vocals and much less feedback.

We are very excited by how well ‘Daybreak’ came together as an album. For me, I’m lucky to be in such an great band: Mark, Rob, Mike and I have fantastic synergy to explore new territory, yet also the intense (obsessive!) perseverance to “get it right”. Musicians always say a record is a labor of love — in this case, it’s really been true. We’ve put the very best of us into this recording, to create an interpersonal and cultural snapshot of blood, sweat, tears, late nights at the pub, the whole works — and we believe we’ve made something cool,” says Divisionists’ frontman Brendan Quinn.

The forthcoming album follows their debut EP “we play rock music…” (2011). Comprised of 12 tracks, this new offering features guest appearances by saxophonist Brian Idd and vocals from both Gwen Knighton and Lisa Makros.

‘Daybreak’ was recorded at Perry Vale Studios, The Mill House, and Haiku Sound, where it was also mixed. Brendan Quinn produced the album with assistance from legendary psych producer Sterling Roswell a.k.a. ROSCO (Spaceman-3, The Darkside), and Pat Collier (The Vibrators) on board as tracking engineer. The album was mastered by veteran mastering engineer Don Grossinger (The Flaming Lips, Brian Wilson, Franz Ferdinand, The Rolling Stones, Annie Lennox, Sharon Jones And The Dap-Kings).

Formed in 2010, the band took their name from both the Neo-Impressionist modern art movement, and one of the political factions in Beat Poet William S. Burroughs’ ‘Naked Lunch’: those who occupy ‘a midway position’ who ‘literally divide’ yet ‘live in fear of a replica revolution’.

Frontman Brendan Quinn is best known as the guitarist and vocalist for the cult psychedelic/space-rock pranksters Abunai! (regulars at the Terrastock Festival with three albums and two EPs on the Camera Obscura label).

Divisionists’ music embraces psych rock, power pop, and reimagined traditional folk ballads, all with a loud and memorable rock influence. They have shared stages with Pete “Bassman” Bain (Spaceman-3, The Darkside), Alex Monk, and Swiss garage-psych pioneers Roy and the Devil’s Motorcycle, among others. Brendan toured live as a member of the Sterling Roswell Band for their album “The Call of The Cosmos”, including their headliner spot at Andrew Weatherall’s Convenanza Festival, and has performed with a wide range of artists, including members of Swervedriver, Acid Mothers Temple, The Brian Jonestown Massacre, and The Perfect Disaster.

“Among the many reasons I said yes when these nutcases begged me to rejoin and record an album is just how much fun I have as part of a rhythm section with Robert. As we’ve categorised it in the past, we just hold the ship steady while Mark and Brendan get all psychedelic over the top. It’s a blast,” says Mike Whitaker (bass, piano, backing vocals).

While the ‘Daybreak’ LP will only be fully available via internet on March 17, the vinyl record is available now for pre-order via Divisionists’ Bandcamp. Pressed on 180 Gram orange vinyl, the record also includes a full-colour folded insert with artwork and lyrics.

Brendan Quinn – guitar, lead and backing vocals, piano, organ
Rob McGregor – drums, percussion
Mark Bennett – guitar, synths, backing vocals
Mike Whitaker – bass, piano, backing vocals

Additional performers:
Brian Idd – saxophone on All Fall Down
Gwen Knighton – backing vocals on Colours (Song for a Spaceman) & We Must Be Careful
Lisa Makros – backing vocals on Freedom

Recorded at Perry Vale Studios, The Mill House, and Haiku Sound
Mixed at Haiku Sound
Brendan Quinn – producer
Pat Collier – tracking engineer
Sterling Roswell – production assistance and drum whisperer
Don Grossinger – mastering
Cover photo by Echo Kirk
All band photos by Ian Falconer

Keep up with Divisionists

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Posted by on January 25, 2017 in Alternative


SPC ECO – Under My Skin (ELaB Records 10 February 2017)

SPC ECO to Release ‘Under My Skin’ EP, Features in Teen Wolf Soundtrack


Electronic dream pop duo SPC ECO present their single ‘Under My Skin’, which also just featured in Series 6 Episode 7 of the MTV series ‘Teen Wolf’.

“It was fantastic to wake up and hear what had happened with the Teen Wolf sync. Under My Skin is very close to both mine and dad’s hearts so it couldn’t have been a better track for something like this to happen to,” says SPC ECO vocalist Rose Berlin.

SPC ECO is comprised of alternative electronic maverick producer Dean Garcia, the musical mastermind behind seminal alternative rock band Curve, and his daughter Rose Berlin.

Rose is a Sound and Light artist, having graduated from Camberwell College of Arts in 2013 with a first class honours degree. She experiments with the potential for sound and light to be used as atmospheric mediums, intent on bridging the gap between art and music. She has exhibited her work in various shows around London and, in 2015, was selected to showcase her work as part of the Venice Biennale. Rose is currently making artwork for a show in London.

For his whole life, Dean Garcia has been sculpting sound to create alternate-universe pop hits that simultaneously straddle several genres. Apart from a decade with SPC ECO and nearly 15 years with Curve, Garcia has also toured the world several times and recorded multiple albums with such established artists as Eurythmics, Mick Jagger, Jeff Beck, Bryan Ferry, Sinead O’Connor and Ian Dury.

On ‘Under My Skin’, Rose Berlin is at her most vulnerable and tender, expressing her lament in crooning fashion. This lustrous finely-spun SPC ECO track is so well delivered that she seemingly placates any emotional wreckage that might otherwise be felt. Beginning with the words “I’m done crying for moments I once adored”, Berlin seems to sing on a wavelength connected directly to your soul.

“There was a truly emotional earthquake between Rose and myself due to a personal ongoing issue, which left us both scarred and in tears,” explains Dean Garcia. “One hour later to mend us both, I asked her if she would like to sing on the sad piano song again and she sang what you hear on the track. Driven to tears once again but for the polar opposite reasons this song is the epitome of the unquestionable love and bond that only occurs between family.”

Unquestionably one of the most prolific bands today, SPC ECO (pronounced Space Echo) are currently on a roll. Over the past year, they have released ‘Dark Matter’ and ‘Anomalies’ on Saint Marie Records, both to critical acclaim, in addition to two albums released through Dean’s side projects S T F U (with Preston Maddox of Bloody Knives) and M A D (with Monty from The Jesus & Mary Chain).

The video for ‘Under My Skin’, created by Harry Kite Garcia, was filmed on Hornsey Lane Bridge – otherwise known as Suicide Bridge.

‘Under My Skin’ was originally released on the album ‘Dark Matter’, which is available digitally, on CD and vinyl through Saint Marie Records. This EP also features ‘Found’ and ‘Meteor’, several other haunting, minimalist tracks that are nothing short of breathtaking. This EP is being made available via SPC ECO’s Bandcamp at The duo is currently recording a new album, which is due out this summer.


1. Under My Skin   04:05
2. Meteor   04:19
3. Creep In The Shadows   04:28
4. Let It Be Always   03:22
5. Found   04:59
Produced, recorded and mixed by Dean Garcia at the ELaB UK
Written by Rose Berlin and Dean Garcia
Rose Berlin – Voice and Words
Dean Garcia – Music – Bass Drums Keys and Programming

Jarek Leskiewicz – Drone on ‘Found’

Video produced and filmed by HKG

Special thanks to Teen Wolf and MTV
Dedicated to Junior Beare
I’m just trying for
What’s the point in it all
Where you fighting your battles
Are you on my side
I’m done crying for moments I once adored
Why is all this in pieces can’t you let it lie
Leave love alone
Water under my skin
We are a long way from home
Water under
In every step and all your work you’ve made
I knew you’d take it back all along say the words I don’t want to feel
In every step and all your work you’ve made
Leave it I can’t bare sleeping alone
Leave love alone
Water under my skin
Looked for a long time
For me
I guess it’s all a memory
I lost a bet, a bet
All I fear is
Alone alone

Keep up with SPC ECO 
Website | Facebook | Bandcamp | Soundcloud | Twitter | YouTube | Tumblr

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Posted by on January 24, 2017 in Alternative


Equinox – Goodbye (3 February 2017)

British spoken word artist Equinox releases dark ambient single with Dementio13 


British spoken word artist Equinox will be releasing ‘Goodbye’, a new dark ambient single with freaky electronic crafter Dementio13, who is renowned for his ambient, drum n bass and krautrock influenced work. This collaborative single is sure to please fans of Neu!, Anne Clark, Delia Derbyshire, Coil, John Cooper-Clarke and Throbbing Gristle. 
Equinox explains: “It’s about true love. One that you feel will never fade. One that will last for all time. Your lover is your best friend and will never leave your side. Then, the dark side of my poetry appears – the depression that has followed me all my adult life. All alone after the split. All is lost. Life descends into darkness. All is lost.”
When William Blake penned his often recited poem ‘Jerusalem’ about the North West of England (more specifically East Lancashire), he could almost have been unwittingly setting the scene for the work of Equinox.  Those ‘dark Satanic mills’ are practically a metaphor for the depression that is prevalent within the poetry and the ‘mental fight’ that has virtually become a daily battle.
The poetry of Equinox takes no prisoners, with subject matter ranging from male suicide to prostitution, but with equal amounts of undying love and devotion. But Equinox isn’t just about poems, but instead stands to break down some misconceptions about the spoken word genre. This artist is already working on his debut album ‘It’s Hard To Be Happy When Your Head Is Full of Sin’, which is planned for release in late spring 2017 and will involve numerous key musical influencers he’s met over the last few years.
Dementio13 is a Cardiff-based producer, who makes music which has been variously described as ‘ambient acide’, ‘electronic post-rock’ and cinematic with Krautrock-influenced drones.
“I received the vocal lines from Equinox and figured that, through repetition, the words would grow in weight as the song went on,” explains Dementio13 (real name Paul). “Then it was a case of building a track that gradually grows with it. Something sombre and evocative that reflected the feeling of regret in the poem.”
Earlier, Equinox collaborated with Welsh outfit Radio Europa on ‘Josephine’ (from their ‘tYDbXx’ album), which led to several guest appearances at their shows. He co-wrote and performed ‘Scream’ with yet another Welsh D.I.Y. lo-fi artist, named Pulco. This same track also features on the recent #MoreInCommon compilation to raise awareness for the ‘Hope Not Hate’ campaign, along with contributions by Chris & Cosey, deux furieuses, The Membranes, Ani Glas, Conformist, and separate tracks from Pulco and Radio Europa. Triggered to action by the senseless death of Jo Cox MP during the EU Referendum campaign, this compilation goes to show that, however diverse artists may be, they all share a common goal of peace and tolerance.
So, is this goodbye to a friend?
A friendship we thought would not end.
Is this the start of where we drift apart?
Into loneliness now we descend.
Keep up with Equinox 
Keep up with Dementio13

Posted by on January 12, 2017 in Alternative


Joel Gion – Tomorrow (27 January 2017)

Joel Gion (The Brian Jonestown Massacre) Releases ‘Tomorrow’ Single


Joel Gion is releasing his new singleTomorrowand it is the psych rock tune we all need to welcome 2017 Perhaps best known for his long and strange career as the legendary ‘Tambourine Man’ with The Brian Jonestown Massacre, in recent years, this percussionist has also emerged as a singer-songwriter in his own right. He has released various singles, as well as the well-received full length album Apple Bonkers.

‘Tomorrow’ is being released ahead of Gion’s forthcoming sophomore album, which should be released in early spring 2017. A reflection on the much maligned year that was 2016, this is an exclusive, non-album track available as a digital single on iTunes and various streaming platforms.

“I wrote and recorded it earlier this year while the Democratic party campaigns were the big topic… So the tune does some BS-calling out of the rising classism in the USA and at the same time sending a message out to not let things get you down too hard – but then nobody in the free-thinking world have ever dreamed things would wind up going this far south in the end,” says Joel Gion. “Still, having said that, this is the only life you have, so you have to enjoy it no matter how stupid things get, ‘cause we always have each other and you always have yourself.”

The upcoming album was recorded in separate phases between legs of the 2016 Brian Jonestown Massacre world tour. The sessions involved fellow BJM members Collin Hegna, Dan Allaire, Ryan Van Kriedt, and Robert Campanella, as well as other various friends from around the modern psych and indie scene.

Joel Gion explains: “I’m just about done with a new record, so that’s next; also working on a book, and there is always Brian Jonestown Massacre tours, which are so much fun these days. We have a such a blast out there and the people coming to the shows are just so cool on the whole. I’ve got most of the BJM boys on my record as well, along with some other groovy friends from the music scene.”

This time around, Gion has added in soul jazz, tropicalia, and Italio soundtrack sonics to the album’s mix, making for a deeper dive into a world that sounds all his own. Until then, we have ‘Tomorrow’, tipping us off that it’s time to pull ourselves up by our boot straps in a world that seems to be going mad before our very eyes.


Joel Gion: vocal, rhythm guitars, maracas, tambourine

Collin Hegna: bass, guitar, backing vocals

Paul Dillon: guitars

Brian Gardner: drums

Written by Joel Gion. Produced and mixed by Collin Hegna at Revolver Studios. Photography support from Alex Hurst.



Don’t need a high place in a lowdown world

I’ll keep moving on

Where I can be myself and here’s something else

I’m doing nothing wrong

Seems everything is brought to extremes

Just to keep people runnin around


Nothing is here to stay

So I’m gonna get down every single day

Pick up what I’m putting down


Don’t want an “in” where anybody’s left out

What is that all about?

No prospect babies and swindled old ladies

Tomorrow’s full of doubt

The harder the grind, the brighter we shine

So go ahead and bring it on


Nothing is here to stay

So I’m gonna get down every single day

Pick up what I’m putting down


Don’t need to tell me nothing’s for free

What you want ain’t what I want

Changes to come and when they are done

These patterns won’t be playing on


Nothing is here to stay

So I’m gonna get down every single day

Pick up what I’m putting down


Keep up with Joel Gion

Website | Facebook | Bandcamp | YouTube | BJM Tour Dates | iTunes

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Posted by on January 9, 2017 in Alternative