RSS

Category Archives: Alternative

The History of Colour TV – Something Like Eternity (Cranes Records 17 March 2017)

The History of Colour TV Reveal Second Single From ‘Something Like Eternity’ LP

Berlin-based trio The History of Colour TV presents ‘As Gray As Park Can Be’, the second single from their forthcoming third LP ‘Something Like Eternity’, which is slated for release on March 17 via France’s Crane Records.
The back story to this album is inspired by the band’s desire to work with notable producer Peter Deimel (The Wedding Present, Shellac, The Ex), for which they traveled to France in the spring of 2016 to record with him at the legendary Black Box Recording Studio. Days of making music in the French countryside, close to the Loire Valley, saw them depart from their previous sound, instead bringing a raw, minimalist aesthetic to the new release.
This new track follows the first single ‘Wreck’ from this album. Stylistically, these are both dynamic and open live recordings with minimal overdubs and, in this respect, they represent a snapshot of the album as a whole. Based on narrative themes, these songs blend melodic sensibilities with ragged guitar textures. The first track builds nicely on melancholic arpeggio patterns.
British artist Jaike Stambach founded The History Of Colour TV in 2010. Initially conceived as a solo multimedia project involving noisy hypnotic output through audio, video and soundtrack offerings, he was eventually joined byt Markus Mocydlarz and Janek Sprachta. Over the course of two albums and multiple EPs, released through Bruit Blanc and Saint Marie Records, the band has been unabashedly diverse in their approach, exploring harsh noise, sound collages and reverb-saturated dreampop, to the stripped-down rock of their more recent offerings. They also toured extensively while establishing a remarkable presence on the Berlin music scene.
The more organic approach taken for the band’s second widely acclaimed album ‘Shapes of Spilt Blood Spelt Love’ was stripped of the electronic attributes of the band’s debut album ‘Emerald Cures Chic Ills’ to present a spacious mix of strategically sparse layers of guitars, minimalist rhythmic patterns and bass-heavy riffs. In contrast, ‘Something Like Eternity’ is an album of sparse, immediate performances captured live in studio. The room seemingly reverberates to a wide dynamic range of sonic tapestries ranging from fleeting moments of near-silence to elongated passages of guitar meltdowns, loaded with emotion.
‘Something Like Eternity’ will be released on March 17, both digitally and on vinyl, via French label Cranes Records and the band’s own imprint Weird Books. Band member Janek Sprachta has also just released ‘Grow’, his second solo album via Midira Records, which is also worth exploring for a brief journey through ambient, modern classic and post rock.
TRACKLIST
1. Granite Verge Of Tears
2. Broken Trip
3. Days Numbered
4. Wreck
5. Everything That Stood Still
6. Overcast Half
7. As Gray as Park Can Be
8. Even Rain
9. Wait
10. Flame
11. Pattern
CREDITS
Recorded by Peter Deimel at Black Box Recording Studio
Mastered by Peter Deimel and David Odlum
August Twenty First recorded & mastered by E_S_D
All music and lyrics by The History of Colour TV
Photography by Jaike
Keep up with The History of Colour TV

 
Leave a comment

Posted by on March 8, 2017 in Alternative

 

Phantogram and The Veldt Spring Eastern U.S. Tour, March 11-17 11 March 2017

Phantogram and The Veldt to Embark on East Coast Tour, March 11-17

Alternative pop icons Phantogram and shoegaze alternative soul pioneers The Veldt have announced they will play six exclusive U.S. East Coast cities before the former departs for their European tour. The duo will again return to the U.S.A. in mid-April for two separate appearances at Coachella.

Phantogram is touring in support of their recently released their third studio album ‘Three’ (Republic Records). Consisting of Josh Carter (guitars) and Sarah Barthel (keyboards), the duo formed in 2007. On ‘Three’, they take their sound in an enthralling, darker direction, adding new textures to their signature style. This album represents a new creative peak they’ve been building towards for nearly a decade. The latest chapter in the duo’s impressive ascent to the forefront of alternative pop, this iridescent record glows with warmth even as it explores the desolation of personal pain. This is also proof that nothing, at this point, can hold them back.

This six-date joint tour kicks off on Saturday, March 11 at Chicago’s Riviera Theatre, followed by dates in St. Paul, MN (Palace Theatre), Madison, WI (Orpheum Theater), Urbana, IL (Canopy Club), Cincinnati, OH (Bogart’s), and Atlanta, GA (The Tabernacle).

The Veldt are touring in support of their EP ‘The Shocking Fuzz of Your Electric Fur: The Drake Equation’ the band’s first new recording in fifteen years, which will be released worldwide on June 2 via Schoolkids Records, home to artists such as Adam Franklin & Swervedriver, Tommy Keene and Bettie Serveert with a history of collaboration with artists such as New Model Army, Daniel Lanois and Emm Gryner.

The Veldt formed in the late 80’s in Raleigh amongst the royalty of the legendary North Carolina music scene, including bands such as Superchunk, Archers of Loaf, The Connells, Dillon Fence, The dBs, Squirrel Nut Zippers, and Ryan Adams. Pitchfork recently included their album ‘Afrodisiac’ in the top 50 shoegaze albums eve released. Today their musical output is in the same ballpark as A.R.Kane, Cocteau Twins, Massive Attack, and Jesus & Mary Chain.

Signed to Capitol Records in 1989 and eventually Mercury Records, The Veldt embarked on a musical journey that changed their lives. The soon found themselves in the studio with dream-gaze guru Robin Guthrie, touring America with Cocteau Twins and the UK with The Jesus and Mary Chain and working with leading producers Lincoln Fong of Moose on their debut album ‘Marigolds’ and Ray Schulman (Bjork, Sugarcubes, The Sundays) on ‘Afrodisiac’. The Veldt were a sensation from the start and part of a movement of innovators, who came of musical age at a time when rhythmic rebels were reflective, gritty and wild. Their sound inspired future generations of alternative artists, including TV On the Radio.

The Veldt have collaborated with TV On The Radio, Mos Def, The Jesus & Mary Chain, Lady Miss Kier (Deee-Lite), and most recently with A.R.Kane, and have shared the stage with the likes of The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, The Jesus and Mary Chain, Oasis and Living Colour.

The band reformed in 2016 and their new EP started to make the rounds with a 2016 vinyl release via Manchester’s Leonard Skully Records. Their return was met with incredible enthusiasm and significant press attention, including from The Guardian (UK), who say “the new songs invite paradoxical praise: serenely assaultive and vertiginously soothing.” In the past year, the band did a mini-tour with The Brian Jonestown Massacre, embarked on two Canadian tours, toured and played multiple festivals across Europe.

TOUR DATES
Saturday, March 11:  Chicago, IL – Riviera Theatre
Sunday, March 12:  St Paul, MN – Palace Theatre
Monday, March 13:  Madison, WI – Orpheum Theatre
Tuesday, March 14:  Urbana, IL – Canopy Club
Thursday, March 16:  Cincinnati, OH – Bogart’s
Friday, March 17:  Atlanta GA – The Tabernacle

 

Analogue Wave – Hope (24 March 2017)

Irish Electronic Duo Analogue Wave to Release New ‘Hope’ Single

analogue-wave-hope-cover

Analogue Wave is an Irish-based electronic duo, mixing dub and electronica with breakbeats, vocals and synths. After a three-year hiatus, the band have returned to the underground scene with a brand new single ‘Hope’. This is a sonic call to arms in a world spinning wildly out of control, both politically and climatically, with no hope of a positive ending in sight. Imbuing and poignant, this track has a timely message.

Hope is a sonic reaction to both the political and climatic turmoil currently threatening modern life as we know it,” explains vocalist Del Chaney. “It was written under the shadow of the farcical US presidential elections and the current fallout from Brexit.”
Formed in 2012, Analogue Wave have been creating glitchy atmospherically charged musical output for almost five years, leaning heavily on influences such as Leftfield, Nine Inch Nails, Depeche Mode, Massive Attack, Dead Can Dance, Portishead, and those lovely late 80’s Manchester vibes.
The duo consists of Del Chaney (vocals/songwriting) & Andy Sneyd (songwriting/production). They have previously released two full studio albums, their debut release ‘N.l.G.w.V’ in 2013 and their full length sophomore release ‘Casimir’ in 2014. They have also had their music remixed by artists such as Ummagma, InViolet, Grim, Four Point Zero and Temperance, releasing an impressive remix collection‘Alterations’ in 2015.
in late 2013, The Guardian highlighted Analogue Wave as an emerging band to watch, underlining their mix of electronica, dub step, synths and breakbeats. Their debut album was album of the week on RTE 2FM, ranked at number 11 in Dan Hegarty’s ‘The Alternative’ (RTE 2FM) Top 50 alternative Irish albums of 2013, with the ‘Casimir’ album ranked at number 31 on the same list in 2014. They have played live at many of Ireland’s boutique music festivals, live radio studio sessions, some of the country’s best live venues, as well as many impressive underground raves.
The ‘Hope’ single is accompanied by two remixes. The first remix of ‘Hope’ was created by Tuath, an Irish experimental psych/kraut collective, who have twisted the single into a sprawling wave of atmospheric neurofunk, peppered with drum and bass/jungle algorithms.

In the second, celebrated Canadian-Ukrainian dreampop duo Ummagma offer up an invigorating drive-filled dance-inducing remix of ‘Mezkal’. The original version of this track was released on the band’s ‘n.l g.W.v.’ debut album. Opening with remarkable groove, great momentum, this remix stands out in its edgy vocals and tasteful layering, with the tension building and releasing nicely.

‘Hope’ will be officially released on March 24, 2017 digitally via Bandcamp at http://analoguewave.bandcamp.com, followed by the full album release later in 2017.

TRACK LIST

1. Hope
2. Hope (Tuath Remix)
3. Mezkal (Ummagma Remix)

 
Leave a comment

Posted by on February 24, 2017 in Alternative

 

Various Artists – A Call to Instruments vol.I (Aza Records 2017)

Aza Records is a collective of musicians trying to promote their work and help others do the same.

cover

The following is taken from the official site of the collective…

Dear friends, musicians, lyricists, poets,
entertainers & inspiration lovers.
This is a call to instruments.
This is Aza Records.
A collective of independent bands from your neighbourhood.

The story starts about seven years ago.

At the time, I was singing in cover bands while writing lyrics, in search of a band that would fulfil my artistic needs. My bass guitar was rusting away, in a corner in my room for more than eight years. It was then that I had the first talks with other musicians, friends of mine, to start a project completely new so we could express ourselves more.

We then started The Jesterdays, my first and most beloved band and Metronomic Head Move. We were so optimistic back then, ready to spend endless hours on rehearsing, recording and playing live. But it wasn’t just us. The whole city was moving in a frantic pace, it was like a revolution in my eyes, I haven’t seen anything like that in Thessaloniki since the mid-nineties. More and more bands popping up and making music without the support of record labels, with minor resources and even less promotion, we were fighting the crisis with music, lyrics and creativity.

We cannot close our eyes and pretend the crisis didn’t happen. The music scene in Thessaloniki lost many artists because of the crisis. A lot of people moved abroad, seeking a better future and many bands broke and shattered. But their members kept in touch. The ones left behind, were joining other bands or giving birth to new ones. They even managed to cooperate with musicians that left Greece, through the internet. I used to call that ‘’the Hydra effect’’, you take one head off and two swap and take its place. That’s what happened with Lazy Aftershow in 2012 right after Metronomic Head Move. Lazy Aftershow was something fresh, honest and borderless. An instrumental trio (guitar, drums & bass) working effectively on both composing and self-managing issues and earning very quickly the respect of the local scene.

Meanwhile The Jesterdays were working with other groups, adding friends and fellow musicians on stage and having guest musicians play in their recordings. Both The Jesterdays and Lazy Aftershow shared the stage with bands and artists as Big Sleep, Kappa, Solar Music Library, Lemonade on Stage, Ledge Fortcher, The Family Idiot, Day end, Minor Mine, st Atom Heart, Unshaped Ahead, One man Drop, Vygotsky Circle, The Next Saturdays, Mother Turtle, Sick boys Connection, The Rundays, New Zero God, Adolf plays the Jazz, Mani Deum and many more.

We opened our eyes to the simple fact that there were a lot of great musicians around us and it was to everyone’s best interest if we worked together instead of working on our own.

I was the happiest man ever and I was already talking individually to musicians about the idea of gathering all this music and framing it as one. With no musical borders but with the common goal of promoting and respecting each other.

What were initially whispers were turning into long talks and long talks turned into plans to set up a platform for all those bands to stick together and promote their music. We decided to add even more bands to form a library and a data base for the independent music scene. After performing together and supporting each other throughout the last hard years, the feelings of solidarity between bands were now a given. Without even realising, we had started to self-organise. Now it’s time to do it in a larger scale and involve even more people. We have had agreements and disagreements about many things but the simple fact is that together we are stronger and soon we will be able to support and add more bands to our collective. It’s up to us to promote our music and help others do the same.

Sincerely yours,
Aza the Lazy Jester

You can download for free the first compilation of Aza Records from HERE!

Don’t hesitate to spread the news, these files are made for sharing!

Important note :  “Aza Records doesn’t own the rights of the songs that take place in the artists section of our home site aza-records.com .We are only promoting artists and bands with no commercial use and profit from these activities.All rights belong to their respectful owners…”

 
Leave a comment

Posted by on February 13, 2017 in Alternative

 

Black Needle Noise with Mimi Page – Swimming Through Dreams (17 February 2017)

Legendary producer John Fryer releases Black Needle Noise single with Mimi Page.

black-needle-noise-swimming-through-dreams-cover

Legendary producer John Fryer, one of the most innovative sonic architects on the music scene, is releasing new music under his new project Black Needle Noise, dubbed “the spiritual successor to This Mortal Coil” by Cold War Night Life. Best known for his production work, he also branched out as a musician as one of only two constant members of This Mortal Coil (along with Ivo Watts-Russell), providing keyboards, strings and synthesizer sequencing for the band, and its offshoot, The Hope Blister.

In 1979, John Fryer started his career at London’s Blackwing Studios (London) and soon began working with seminal bands on the 4AD, Mute, Rough Trade and Beggars Banquet record labels, including Depeche Mode, The Wolfgang Press and Cocteau Twins. His achievement in helping develop the latter’s pioneering ethereal and ambient sound ultimately led Watts-Russell to recruit Fryer as his partner for This Mortal Coil.

He has produced many other groundbreaking artists, including Yaz (Yazoo), Nine Inch Nails, Clan of Xymox, Nitzer Ebb, Love and Rockets, Xmal Deutschland, Fields of the Nephilim, De/Vision and Stabbing Westward, Swans, HIM, Cradle of Filth, Jesus Jones, Swallow, M|A|R|R|S (A.R.Kane & Colourbox), and many others. More recent projects involve Dead Leaf Echo and The Foreign Resort.

Over the past two decades, John Fryer has also produced several film soundtracks, including Seven, Clerks, Johnny Mnemonic, Mortal Kombat, Faust and Resident Evil: Apocalypse. 

The latest Black Needle Noise single ‘Swimming Through Dreams’ features renowned ethereal vocalist Mimi Page, who recently co-wrote and contributed vocals and programming on four tracks from Delirium’s 15th studio album ‘Mythologie,  which debuted at #7 on Billboard’s Electronic charts. Based in Los Angeles, she is also a singer-songwriter and composer of cinematic dream worlds.

This is a hypnotic ethereal track with swirling echoed croons, layered over a bed of textured dreamy electronica.

John Fryer and Mimi met through the album listening party for Delirium last September. After learning that she is a huge This Mortal Coil fan, the two undertook to collaborate. “We wanted to capture a very atmospheric dreamy sound and I think we did that. It was a great pleasure working with her as with all the vocalists on Black Needle Noise.”

Black Needle Noise creates the virtual soundtrack to movies you haven’t dreamt of yet, presenting musical soundscapes, audio alchemy, and sonic sculptures with film noir blues overtones. Nobody should be surprised by the fact that this music brings to mind artists ranging from Cocteau Twins to Nine Inch Nails, all of whom he has produced.

“Black Needle Noise takes you to a whole new level of Shinier, Richer, Darker Noise PoP. This project will just keep growing and growing – there are no rules or boundaries for it. The music will be whatever it will be – whatever comes out of me. It can go in any direction it wants. As long as I keep going, it will keep going”, explains John Fryer.

The project has been low key since commencing last year. “I was going to release the first track ‘Bang Bang’ on my birthday (January 11), but that very morning it was announced Bowie had died, so it kind of knocked me sideways that day”.

Long-time fans of John Fryer’s musical output will be drawn to his trademark sound, and new listeners will love the layered richness, experimental tones, effects and melodies. Informed by decades of sound-crafting, the advent of Black Needle Noise marks Fryer’s continuous and ever-evolving move into the future.

Black Needle Noise is releasing singles one by one towards the next album. Other recent singles feature Jarboe from Swans, Canadian-born songwriter/ guitarist Jennie Vee (she also plays bass in Courtney Love’s band Hole), as well as Omniflux of Puscifer, Kendra Frost of Kite Base, Andrea Kerr of Colt, Elena Alice Fossi of Kirlian Camera, and Zialand, among others.

‘Swimming Through Dreams’ will be available via iTunes and various streaming platforms, and is already available on a pay-what-you-want basis via Black Needle Noise’s Bandcamp page.

Keep up with Black Needle Noise / John Fryer

Facebook BNN | Facebook John FryerBandcamp | YouTube | Twitter | Instagram | iTunes

Keep up with Mimi Page

Website | Facebook | Twitter | Soundcloud | YouTube | Instagram

 
Leave a comment

Posted by on February 8, 2017 in Alternative

 

Someday – This Doesn’t Exist (Seahorse Recordings 10 February 2017)

Someday to Release Debut Album ‘This Doesn’t Exist’ on Seahorse Recordings

someday-this-doesnt-exist-album-cover

Seahorse Recordings presents the new 10-track album from Someday, called ‘This Doesn’t Exist’. Now based in Turin (Torino), this trio is comprised of Daniele Bianco, Michele Fierro, and Fabio Digitali. The first single from this album is ‘Last Lesson’.

This is Someday’s debut album, entailing a search for balance and essentialness that may be appreciated by fans of early Tokyo Police Club and Foals, Bombay Bicycle Club, Placebo, Born Ruffians, Hot Hot Heat, and The Stills. The band cite numerous influences, including early Sparklehorse, The Smiths, Joy Division, Placebo, Sonic Youth, The Cure, Paolo Conte and La Crus.

“Our song ‘Last Lesson’ was inspired by a true story happened some years ago, a very common and sad story. What happened made me think that, sometimes, when “something strange embraces you” and you think you are helpless, you just have to wait, nothing else… because maybe the solution is simple but you can’t just see it,” says Daniele Bianco. “”As usually happens with bands, the first album is a both a starting point and a goal… I hope it’s only the beginning because we have a lot of other stories to tell, and some of them are ready for the telling.”

“‘Last Lesson’ came about naturally, as it often happens when music works well… we play, we look in each other’s eyes and we know immediately that the song just works. It sounds sweet and disturbing… like the feelings we often feel,” explains Michele Fierro. “We are very happy because it is like we always wanted it to. Every song has its particular feeling and it sounds like we imagined. We can’t wait to play it live.”

Aptly titled ‘This Doesn’t Exist’, the lyrics from this album speak about what no longer exists, never existed and will never exist. Lead tracks ‘Last Lesson’ and ‘Clean Couch’ are about people or animals that have gone to a better place. ‘Little Choices’ cites that we have no more achievable choices. ‘Shelters and Picture’ note places that are no longer reachable. ‘Jokes’ explores imaginary lives built on a lie, while ‘Maurizio’ tells of lives that have lost something very important. ‘Forgotten’ reveals certainties that are nothing but obvious illusions.

Through this album, the band highlight the trivial occurrences of ordinary lives, with shifting musical trajectories between dark and post-rock (Forgotten, Waitings, Little Choices) to indie pop (Clean Couch, Shelters, Picture), as well as new wave and light psychedelia (Last Lesson, Gliding, Jokes). ‘This Doesn’t Exist’ is full of black and white atmospheres but celebrates the many shades of grey in between.

Someday was formed in Collegno, a city close to Torino (Piedmont, Italy) by two childhood friends – Daniel Bianco (guitar/vocals/lyrics) and Michele Fierro (bass). Initially rehearsing in Michele’s living room and Daniel’s cellar, they began making demo tapes, had several singles on Italian music compilations, and eventually released their debut EP “Flowers in the Cellar” and two singles ‘Divano Pulito’ and ‘Rifugi’ in 2016, produced by Luca “Vicio” Vicini of Subsonica. They were then joined by drummer Federico Segato to form a trio, who was subequently replaced by Fabio Digitali.

‘This Doesn’t Exist’ will be available digitally via key digital music platforms as of February 10 and is already available for pre-order on Someday’s Bandcamp. In late February, it will also be available on CD with distribution via Audioglobe.

TRACK LIST

1.Clean Couch 03:54
2. Forgotten 03:05
3. Last Lesson 03:40
4. Shelters 02:58
5. Waitings 03:39
6. Picture 04:10
7. Maurizio (Little Star) 02:53
8. Little Choices 04:59
9. Jokes 04:53
10. Gliding 04:11
CREDITS
Music by Daniele Bianco and Michele Fierro, lyrics by Daniele Bianco
Daniele Bianco: vocals, electric guitars, glockenspiel
Michele Fierro: bass
Federico Segato: drums

Additional guitars and synthesizer: Paolo Messere

Recorded and mixed at Eye & Ear Studio (Fiumedinisi, Messina) on July 17-31, 2016.
Produced and mixed by Paolo Messere, assisted by Giuseppe Barbera
Mastered by Paolo Messere
Cover artwork by Simone Valentino
Video directed by Nicolò Roccatello
Keep up with Someday

Facebook | Bandcamp | TwitterSoundcloud | Instagram | YouTube

Keep up with Seahorse Recordings

Website | Facebook | Twitter | Bandcamp | Soundcloud

 
Leave a comment

Posted by on February 7, 2017 in Alternative

 

Divisionists – Daybreak (Mount Watatic 17 March 2017)

London outfit Divisionists announce debut album ‘Daybreak’, tease first single ‘Say Can You’ 

divisionists-daybreak-cover

London-based psych power pop outfit Divisionists have announced they will be releasing their debut LP ‘Daybreak’ on March 17 and present the first single ‘Say Can You’ as a teaser. This album will be released digitally and on vinyl via Mount Watatic Records.

‘Say Can You’ is a refreshing and upbeat track with hints of early Teenage Fanclub, The Lemonheads, Matthew Sweet and Bob Mould (including his project Sugar), albeit with softer vocals and much less feedback.

We are very excited by how well ‘Daybreak’ came together as an album. For me, I’m lucky to be in such an great band: Mark, Rob, Mike and I have fantastic synergy to explore new territory, yet also the intense (obsessive!) perseverance to “get it right”. Musicians always say a record is a labor of love — in this case, it’s really been true. We’ve put the very best of us into this recording, to create an interpersonal and cultural snapshot of blood, sweat, tears, late nights at the pub, the whole works — and we believe we’ve made something cool,” says Divisionists’ frontman Brendan Quinn.

The forthcoming album follows their debut EP “we play rock music…” (2011). Comprised of 12 tracks, this new offering features guest appearances by saxophonist Brian Idd and vocals from both Gwen Knighton and Lisa Makros.

‘Daybreak’ was recorded at Perry Vale Studios, The Mill House, and Haiku Sound, where it was also mixed. Brendan Quinn produced the album with assistance from legendary psych producer Sterling Roswell a.k.a. ROSCO (Spaceman-3, The Darkside), and Pat Collier (The Vibrators) on board as tracking engineer. The album was mastered by veteran mastering engineer Don Grossinger (The Flaming Lips, Brian Wilson, Franz Ferdinand, The Rolling Stones, Annie Lennox, Sharon Jones And The Dap-Kings).

Formed in 2010, the band took their name from both the Neo-Impressionist modern art movement, and one of the political factions in Beat Poet William S. Burroughs’ ‘Naked Lunch’: those who occupy ‘a midway position’ who ‘literally divide’ yet ‘live in fear of a replica revolution’.

Frontman Brendan Quinn is best known as the guitarist and vocalist for the cult psychedelic/space-rock pranksters Abunai! (regulars at the Terrastock Festival with three albums and two EPs on the Camera Obscura label).

Divisionists’ music embraces psych rock, power pop, and reimagined traditional folk ballads, all with a loud and memorable rock influence. They have shared stages with Pete “Bassman” Bain (Spaceman-3, The Darkside), Alex Monk, and Swiss garage-psych pioneers Roy and the Devil’s Motorcycle, among others. Brendan toured live as a member of the Sterling Roswell Band for their album “The Call of The Cosmos”, including their headliner spot at Andrew Weatherall’s Convenanza Festival, and has performed with a wide range of artists, including members of Swervedriver, Acid Mothers Temple, The Brian Jonestown Massacre, and The Perfect Disaster.

“Among the many reasons I said yes when these nutcases begged me to rejoin and record an album is just how much fun I have as part of a rhythm section with Robert. As we’ve categorised it in the past, we just hold the ship steady while Mark and Brendan get all psychedelic over the top. It’s a blast,” says Mike Whitaker (bass, piano, backing vocals).

While the ‘Daybreak’ LP will only be fully available via internet on March 17, the vinyl record is available now for pre-order via Divisionists’ Bandcamp. Pressed on 180 Gram orange vinyl, the record also includes a full-colour folded insert with artwork and lyrics.

DIVISIONISTS ARE:
Brendan Quinn – guitar, lead and backing vocals, piano, organ
Rob McGregor – drums, percussion
Mark Bennett – guitar, synths, backing vocals
Mike Whitaker – bass, piano, backing vocals

Additional performers:
Brian Idd – saxophone on All Fall Down
Gwen Knighton – backing vocals on Colours (Song for a Spaceman) & We Must Be Careful
Lisa Makros – backing vocals on Freedom

Recorded at Perry Vale Studios, The Mill House, and Haiku Sound
Mixed at Haiku Sound
Brendan Quinn – producer
Pat Collier – tracking engineer
Sterling Roswell – production assistance and drum whisperer
Don Grossinger – mastering
Cover photo by Echo Kirk
All band photos by Ian Falconer

Keep up with Divisionists

divisionists-8-photo-credit-ian-falconer
 
Leave a comment

Posted by on January 25, 2017 in Alternative