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Category Archives: Electronic

SPC ECO – Fifteen (eLaB Recordings 15 February 2019)

SPC ECO announces ‘Fifteen’ LP, previews lead track ‘The Heart and Soul’
26 years after Curve’s founding, Dean Garcia shows no signs of slowing down

SPC ECO has announced its new album ‘Fifteen’, which will be issued digitally. This release follows the band’s ‘Calm’ LP and ‘Under My Skin’ EP, both released in 2018. Ahead of that, they are previewing the lead single ‘The Heart and Soul’.

If the demise of ground-breaking duo Curve was a storm-cloud in the musical skies of the 90’s, the silver lining was that Dean Garcia went on to form SPC ECO with his daughter Rose Berlin in 2008.

An electronic musical maverick, Dean’s style complements Berlin’s vulnerable yet tender vocals. As a father and daughter, they explore their relationship and the world around them through music, creating heartfelt sounds to express the language of their souls and conversations that are often too difficult to be encapsulated by mere words.

“This album means everything to us. A collection of songs that simply happened to us over a period of the 9 months or so it took to record, during which time there have been numerous uncomfortable, unsettling and challenging changes all around us, not just to our personal real life situations as to where we live, but also to the catastrophe of various unaccountable, blatantly corrupt governing bodies that perch menacingly over us all like death itself,” says Dean Garcia.

“This record is about that, this and the other, a selection of recordings that mean more to us than we can ever possibly know. We do know they’re our escape and energy, the glue that keeps our family together, the means to cope, deal and adapt which all goes towards making it The Heart and Soul of us, which by careful consideration is the first track we’re releasing to introduce this record.”

With minimal symphonic landscaping and gossamer vocals, SPC ECO have created something that is vast and beautifully pervasive. Here we find a collection of moods, wistful reflections made into sound, and barely tangible but emotively powerful expressions.

Last year, the 25-year-anniversary of Curve brought releases of deluxe editions of both ‘Cuckoo’ and ‘Doppelganger’ and output from Dean Garcia’s other sonic adventures, including S T F U with Preston MaddoxBlurred City Lights with Jarek Leskiewicz, and two collaborative tracks with dreampop outfit Ummagma. He also releases as M A D, together with Steve Monti from Jesus & Mary Chain, who also contributed drums and noise loop effects on this new SPC ECO album.

SPC ECO ‘Fifteen’ will be available exclusively via Bandcamp. In the meantime, you can find their previous releases everywhere, including iTunes and Spotify.

CREDITS
All songs written by Rose Berlin and Dean Garcia
Except The Heart and Soul Written by Rose Berlin Jarek Leskiewicz Dean Garcia
Recorded Mixed and Produced by Dean Garcia
Recorded at the ELaB in London and GWYR
Except The Heart and Soul Recorded in Opole and GWYR
This record was made between March 2018 / Jan 2019
Cover image ‘Taplow’ by Rose Berlin
Photos taken by Awesome Welles / Wombbaby

Rose Berlin – Vocals and Lyrics
Dean Garcia – Bass, Drums, Guitars, Keys and Programming
Jarek Leskiewicz – Guitars, Drones and FX
Steve Monti – Drums and Noise Loop FX
Wombbaby – Special FX

TRACKLIST
1 Fading Out Of Time
2 Teach Yourself
3 That’s It Well Done
4 Fifteen
5 Out In The Cold
6 The Heart And Soul
7 Breathing
8 Melancholia Mania
9 Stars
10 Left Out
11 In Silence
12 Gloria Sudafed
13 Never Can Know
14 The Reason Why
15 The Little Ones Out Of Time Mix

Keep up with SPC ECO 
Website | Facebook | Bandcamp | Soundcloud | Twitter | YouTube | Spotify | iTunes | Press contact

 
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Posted by on February 9, 2019 in Electronic

 

Front Line Assembly – Rock Me Amadeus (Video)

Front Line Assembly has just released a new video for their cover of Falco‘s “Rock Me Amadeus” featuring Jimmy Urine of Mindless Self Indulgence.

The song is part of FLA’s album entitled Wake Up The Coma being released by Metropolis Records this week with contributions from Robert Görl (DAF), Nick Holmes (Paradise Lost), and Chris Connelly (Revolting Cocks, Cocksure, Ministry).

 
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Posted by on February 8, 2019 in Electronic

 

Brim Liski- Duels (Latenight Weeknight Records 22 March 2019)

Colorado electronic gaze duo Brim Liski announces ‘Duels’ EP, previews ‘A Different View’ single

Denver-based Brim Liski has announced their new ‘Duels’ EP. Comprised of four tracks, this four-track offering is set to release on March 22 via Latenight Weeknight Records and The Orchard. Ahead of that release, they are previewing the lead track ‘A Different View’.

It has been seven years since their latest album, their previous one being ‘The Repetitions’ album in 2012. They released their eponymous ‘Brim Liski’ album in 2009.

Brim Liski presents a blend of electro, goth and future pop that is slightly gazey. This is a mixture of the diverse sounds both artists bring to the table, becoming something a bit different than the typical electroclash that is currently out there.

Their music is inspired by epic sounds you might imagine occurring in the cosmos. This is dark, limitless night music perfect for driving down an endless moon drenched highway.

“Like the EP as a whole, ‘A Different View’, is about the challenge of acceptance to new unexplored territories in our lives. Making big changes. Accepting things aren’t working and to move on. I personally had many issues blocking me from being who I wanted and needed to be,” says Ryan Policky.

“I had been falling victim to acceptance to things I should be pushing away, and once those things were fully pushed out of the picture, things became that much more clearer. Just like the discoveries of new galaxies, formations on other planets, and other unknowns, the focus is becoming more apparent as technology and time moves on.”

Brim Liski may have formed in 2008, but they sound more closely resembles a band from 2024. Their music about as cosmic and dreamy as Saturn’s Hexagon, which also features on the cover art of their new EP.

Today Brim Liski is a duo comprised of experimental multi-versed digital artist Cacheflowe (aka Justin Gitlin) and Ryan Policky, who is vocalist and producer for renowned prog-gazers A Shoreline Dream.

“I had been working with Justin at an ad agency – working on games for a bunch of entertainment projects for Sony and the like. I found out his passion for music production and we instantly hit it off. He had been working on material and setting up PR for his project, Cacheflowe, and I was working super hard on getting A Shoreline Dream up and going,” says Policky.

“We exchanged ideas and eventually started working on remixes, eventually leading to Brim Liski, which was a side project for both of us, but an important one. One of my dearest girlfriends Michelle Brim had just passed away, and I was torn apart. Brim Liski, named in her memory, became that passion project to get those emotions out, and I was lucky enough to have Justin’s talent help bring it to life.”

With strong initial support from XLR8R and Filter Magazine, it was clear that Brim Liski’s videos feel more like a blurred out dream being torn apart by technology. Their unique and dramatic live shows blend the art of dynamic installations and vivid colors.

‘Duels’ will be available via online stores and streaming platforms, including Spotify and iTunes. Slated for release on March 22, it can already be pre-ordered via Bandcamp.

CREDITS
All songs written by Ryan Policky and Justin Gitlin
Ryan Policky – Vocals, Lyrics, Guitar, Keys, Bass
Justin Gitlin – Programming, Percussion, Mix
Produced, recorded and mastered by Ryan Policky and Justin Gitlin
Copyright 2019 Latenight Weeknight Records

TRACK LIST
1. The Music Years
2. Duels
3. A Different View
4. Evolution

Keep up with Brim Liski
Website | Facebook | Twitter | Instagram | iTunes | Spotify

Keep up with Latenight Weeknight Records
Website | Facebook | YouTube

 
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Posted by on January 25, 2019 in Electronic

 

ShapeShiftingAliens – Fade Away (The Sublunar Society 31 January 2019)

Sweden’s ShapeShiftingAliens presents haunting futuristic ‘Fade Away’ single

Sweden’s ShapeShiftingAliens presents their new single ‘Fade Away’, following up their latest video for Showing My Face’ earlier in 2018.

‘Fade Away’ is the second single off the band’s self-titled album ‘ShapeShiftingAliens’, the CD release of which will take place in mid-February via Stockholm-based label The Sublunar Society.

ShapeShiftingAliens is a Swedish duo, consisting of Johan Cléve on vocals and Niklas Rundquist, also known as solo artist by the monker Brainshadow. Together, they create music and unusual and eccentric videos.

‘Fade Away’ is about a civilization and a world on the verge of collapse as a result of the endless drive for greed and power, but this song is also about the temporary nature of everything nowadays. The accompanying video perfectly reflects this thematic. Niklas Rundquist created, produced and directed the video, eerily bringing the lyrics of this dystopian song to life.

ShapeShiftingAliens signed to The Sublunar Society in 2016. They have since released several singles, followed by their self-titled ‘ShapeShiftingAliens’ LP. ShapeShiftingAliens’ inventive approach was noted by Nolan Cook of The Residents, leading them to collaborate on ‘Shadows’, the final track from their debut album.

Rundquist and Cléve met when they were working with Iodine Jupiter. Cléve is a producer, composer, live and studio musician (guitar) for film, as well as touring and performing artists. Inspired by various film music composers and especially horror films, their music has also been influenced by David Bowie, Lou Reed, Goldfrapp, Air, Radiohead, Smashing Pumpkins, and Massive Attack.

Niklas Rundquist / Brainshadow collaborates with other artists as an electric violinist, remixer and mastering engineer. Most recently, he cooperated with Big Paul Ferguson of Killing Joke and Mark Gemini Thwaite (GMT, The Mission, Gary Numan), Lima 13, and Sonisk Blodbad. He is also a member of The Leather Nun, whose history runs back to the 1980s. He also composes music for films, documentaries and commercials, and various artists on the London scene.

The Sublunar Society is a record label and publishing company, founded by Marie Lundvall and Peder Bjoerk in 2013. Sublunar releases music and publishes literature for the international and national markets. The company also produces exclusive limited edition art products for collectors. The guiding spirit behind The Sublunar Society is one of artistic freedom and creative exploration beyond the conventional.

‘Fade Away’ is now available across online stores and streaming platforms like Spotify, as well as Bandcamp. Not long after that, the ‘ShapeShiftingAliens’ album will be released on CD on February 15, and can already be ordered now.

LYRICS
Everything will fade away with time
Days are counted, now don´t look behind

A new world order stained and tagged in grime
Illusions trapped when our religions disappear
The flight of footsteps, am I sure they´re mine?
Don´t fall asleep, you might be next to be aware

Everything will fade away with Time –
There´s nothing to do but get on with life,  not do what you´ve been told
Days are counted, now don´t look behind –
Fate´s tailing our footsteps, hunting us down until we´re dead and cold

My days are haunted, yet I´m feeling so alone
Illusive pictures flickering in a twilight zone
In my dreams you show up as a white clad bride
Her plea is of confusion, and guess what, so is mine

Everything will fade away with Time –
There´s nothing to do but get on with life, not do what you´ve been told
Days are counted, now don´t look behind –
It´s  tailing our footsteps, hunting  us down until we´re dead and cold

I know my world has fallen down, my life has gone berserk
I must have died a thousand times, but never, ever open-eyed

Keep up with ShapeShiftingAliens
Website | Facebook | Bandcamp | Twitter | iTunes | Spotify

Keep up with The Sublunar Society
Website | Facebook | Bandcamp | Soundcloud | Twitter | YouTube | Vimeo | Instagram

 
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Posted by on January 11, 2019 in Electronic

 

Pas Musique – The Phoenix (Alrealon Records 1 March 2019)

Brooklyn electronic outfit Pas Musique announces ‘The Phoenix’ LP, previews 2 tracks

New York-based electronic collective Pas Musique has announced details of their new album ‘The Phoenix’, to be released via the Alrealon Musique label on March 1. Ahead of that, they are previewing two very different tracks – A Finnish Bedtime Story’ and ‘Electronic Brain’.

Comprised of 7 tracks, ‘The Phoenix’ presents a diverse palette of experimental electronic music – with some tracks flowing and building, while others are packed with industrial crunch and a notable hint of krautrock.

This album follows up the latest album solely from the collective, ‘Inside the Spectrum’, a 2015 limited edition album inspired by space and philosophy. The title track was originally released by Wire Magazine as part of its ‘Wire Tapper’ compilation. In 2018, they also released ‘Composited Reality’ in collaboration with Rapoon, based on field recordings that originate from Brooklyn, Indonesia and Newcastle, England.

Founded by Robert L. Pepper in 1995, Pas Musique emerged from Brooklyn, New York as a solo project around abstract sound. Since then it has developed into a collective that has gone through many variations of experimental, electronic iterations.

Today, Pas Musique remain as a four piece consisting of Jon V Worthley, Michael Durek, Jesse Fairbairn and Robert Pepper, pursuing the musical elements of electronic, experimental music with krautrock undertones. Pas Musique have collaborated with many great musicians, including Faust, Rapoon, ZEV, Philippe Petit, HATI, Chester Hawkins, Jim Tuite and many more.

Their sound has been influenced by the likes of  Zoviet France, Faust, Coil, Rapoon and Alien Sex Fiend.

Pas Musique are a successful touring entity, having performed in 18 countries and all throughout the United States. In fact, ‘The Phoenix’ was developed during the Pas Musique 2016 Indonesian tour and their 2017 European tour.

“This music was influenced by the experiences we had while during these tours. There are no lyrics but there are vocals, which are improvised sounds,” says Robert Pepper.

“When growing up, I listened to a lot of punk and metal. Most of the time I couldn’t understand what the vocalists were saying unless I read the lyric sheet, but the sounds the vocalists made were amazing. So I try to use the same idea but producing improvised vocal sounds by mimicking the style of punk/metal vocalists.”

‘The Phoenix’ will be available for digital download across online stores and streaming platforms. It will also be offered on red vinyl as a limited edition release. Already now, it can be pre-ordered via the label’s Bandcamp.

CREDITS
Peformed by Robert L. Pepper, Michael Durek, Jon V. Worthley, Jesse Fairbairn
Recorded, mixed and mastered 2016-2018
Audio sample on “A Finnish Bedtime Story” is from Kenneth Kovasin ([ówt krì])
Mixed and recorded in Brooklyn at the Pas Musique studio
Mastered By All Real Sound
Released by Alrealon Musique
Catalogue number ALRN082
Original cover photo by Chris Carlone
Record Design by The Glue Mill

TRACK LIST
1. The Phoenix
2. Miss Globule
3. Electronic Brain
4. Ancient Culture in a Warp Drive
5. Xlalo
6. A Finnish Bedtime Story
7. New Sheriff in Town

Keep up with Pas Musique
Website | Bandcamp | Facebook | Twitter | Soundcloud | YouTube | Spotify

Keep up with Alrealon Musique
Website | Bandcamp | Facebook | Twitter | Soundcloud | YouTube | Discogs

 
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Posted by on January 10, 2019 in Electronic

 

Indarra releases debut video

Indarra, the brand new project from Canadian vocalist Sue Hutton (ex-Rhea’s Obsession), has just released their debut video for “Turn The Light Within” a track from their debut album entitled ‘Walk On Fire‘ on Metropolis Records.

“Turn The Light Within” features Sue Hutton on lead vocals, Debashish Sinha on percussion and backing vocals by Athan Maroulis of the band NØIR.

Click HERE to listen to the interview we did with Sue Hutton for The Blackout Radio Show.

The video was partly filmed at Indarra’s recent Pittsburgh performance by director J. Aaron Hager and produced by DJ/promoter Kelly Litzenberger.

 

New Front Line Assembly album

Electro-Industrial act Front Line Assembly has always pushed the boundaries of the genre it helped define, a fact that remains true on their forthcoming album Wake Up The Coma.

This new album provides some surprising elements such as a cover of Falco‘s “Rock Me Amadeus” (feat. Jimmy Urine of Mindless Self Indulgence), along with contributions from Robert Görl (DAF), Nick Holmes (Paradise Lost), and Chris Connelly (Revolting Cocks, Cocksure, Ministry).

Wake Up The Coma will street on February 8th, 2019 on all digital formats, CD and a limited edition 2 LP vinyl set.

The following is taken from the site of Metropolis Records:

“Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released what for many has become the genre’s crowning moment, the classic album Tactical Neural Implant, which to this day still defines the best of industrial music.

FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial’s perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. Also in 1996, Front Line Assembly followed up Hard Wired with two CD singles, “Circuitry” and “Plasticity“, and toured North America with Numb and Die Krupps.

1997 saw the first realignment of Front Line Assembly since 1990, with the departure of Rhys Fulber and the addition of Chris Peterson to the ranks. Front Line’s 1998 album, FLAvor of the Weak, featured the band’s first flirtation with electronica. Re-Wind, a twin CD of remixes, followed later that year. The duo then released Implode in 1999, and Epitaph in 2001. Epitaph exhibited building intros, trancy synth lines, pulsing beats, and solid melodies, which proved to be contagious anthems for a new future of industrial music.

After the 2001 release of Epitaph, another changing of the FLA “guard” occurred: Chris Peterson left, and original member, Rhys Fulber (Fear Factory, Conjour One) returned. The newly charged Front Line Assembly delivered the highly anticipated Maniacal single in late 2003. The successful single laid the ground work for the 2004 album Civilization, and Vanished EP which featured three unreleased tracks.

Then finally in 2005 came the event that everyone was waiting for, a Front Line Assembly fusion. Bill Leeb, Rhys Fulber, and Chris Peterson with new members Jeremy Inkel, Adrian White, and Jarod Slingerland began working on the 2006 album, Artificial Soldier. The newly re-formed line-up managed to create an album that no only lived up to the expectations of Front Line Assembly fans, but surpassed them. Heavy pounding beats, atmospheric strings, percolating melodies, dynamic synths and Bill Leeb’s trademark vocals couldn’t be fused together any tighter if you tried to do it at an atomic level. As if all of those factors weren’t enough, two guest vocalists appear on Artificial Soldier – Eskil Simonsson from Covenant (on “The Storm“) and Jean-Luc De Meyer from Front 242 (on “Future Fail”)! After the release of the album, the band embarked on a successful world tour, and released the remix album Fallout one year later.

Throughout the years, FLA has seen many line-up changes. Bill Leeb remains the constant behind the band. For 2010, a new line-up has emerged featuring Jeremy Inkel, Chris Peterson on programming duties, and Jared Slingerland on Guitars, and FLA has been joined by Three Inches of Blood guitarist Justin Hagberg, and guest keyboardist Craig Huxtable of Landscape Body Machine.

The result of this reinvigorated lineup is the all new album Improvised. Electronic. Device. As well as the Shifting Through The Lens single. The new songs demonstrate that FLA has not lost its edge over the past almost two and a half decades. And as if Front Line Assembly’s legacy and namesake alone weren’t enough for the album, Al Jougensen from Ministry contributes his vocals to the song “Stupidity.”

Bill’s work can also be heard on a wide number of side projects, including Noise Unit, Delerium, InterMix, Cyberaktif, Equinox, and Synaesthesia. Bill has also contributed music to the popular video game, Quake 3 – The Arena.”

Click HERE to pre order the new album Wake Up The Coma

 

 
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Posted by on December 21, 2018 in Electronic