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INHALT – Part Time Punks Sessions (Cleopatra Records 14 April 2017)

Dark electronic trio INHALT announce ‘Part Time Punks Sessions’, unveil first single ‘Walking On Glass’

On April 14, dark electronic / minimal synth outfit INHALT will be releasing their new album ‘Part Time Punks Sessions’ via Cleopatra Records, who are giving a taste of the album by presenting the lead single ‘Walking on Glass’. Hard-driving, up-tempo, and propelled by German vocals, this and the other tracks offered on this release are sleek, chic and cold, formidably capturing the INHALT sound and ethos.

The video for ‘Walking On Glass’ was shot, edited, and directed byDmitry Semenov, one of the main visual collaborators for Recoil (Alan Wilder/ Depeche Mode).
The ‘Part Time Punks Sessions’ LP features the best of the band’s signature synth-driven dark analog pop. This is both a live and a studio album, having been recorded in real time in collaboration with the Part Time Punks radio show in Los Angeles. This is the band’s fourth significant release and final album to be recorded at the band’s homebuilt studio, affectionately called “The Bunker”.
INHALT is German for “content”. This San Francisco-based trio is comprised of Philip Winiger, Matia Simovich, and Steven Campodonico. Winiger, born in Switzerland, visited San Francisco for a year long sabbatical but ended up forming the band with Simovich in 2009. They immediately recognized their mutual philosophy of sonic fidelity and creative integrity, rather than nostalgia.
For some INHALT will already be known, having released their first three releases on notable record labels. Their split 12” with London’s seminal World Unknown Records happened in 2011, followed by their “Vehicle” and “Occupations” EPs for San Francisco’s cult powerhouse Dark Entries Records. These waves of dark energy-filled output firmly established INHALT’s sound. What emerged was a well-defined pop sensibility informed by European Minimalism and a sincere, yet playfully cynical sense of humor. As much Kraftwerk as John Carpenter but with a pronounced drive of Moroder disco, INHALT’s sound has found home in both studious personal listening and the crowded dance floor.

“If we’ve been accused of putting too much time in the production process, PTP Sessions would be our antithesis; Done quickly, direct to multitrack analog tape, in a single take, capturing our live show, as it is, warts and all. We took inspiration from the John Peel sessions of days past, and worked in the spirit of that body of work from the performance, straight to the final mix down,” explains Matia Simovich. “It was a great privilege to be asked to do this by Michael Stock (who runs Part Time Punks), and we delivered something that we feel matches the essence of PTP: raw, honest, and on the border between the past and the present.”
Hot on the heels of the “Simulacra” remix EP for London’s Emotional Especial, INHALT not only ravaged the dance-centric anglo beat (fueled by remixes from heavyweights Timothy J. Fairplay and Black Merlin), but also found themselves in their ideal creative intersection: the road between the lyrical response to a challenging world, a sublime and elegant production technique, and the never ending pulse of the transistor rhythm machine.
On the concert circuit, INHALT have a reputation for bringing a tour de force wall of sound with an energetic stage presence. They have played concerts with peers old and new, including Front 242, Clock DVA, Martial Canterel, and High Functioning Flesh. They’ve condensed this raw concert experience into the John Peel-esque Part Time Punks Sessions, to be made available on April 14, both digitally and on CD, via Cleopatra Records with the vinyl release to follow.
On March 17, INHALT will deliver a specially curated DJ set in Austin atSXSW as part of the event ‘AFS and Holodeck Present: Kwaidan Rescored 2017 SXSW Official’. This event, which takes place at The Hideout Theater beginning at 7pm local time, was organized by Holodeck Records in partnership with the Austin Film Society.

CREDITS

All songs written, sequenced & performed by INHALT.
Recorded in collaboration with Part Time Punks radio show in Los Angeles
Mixed & produced on a Solid State Logic 4000E at Studio A, Different Fur Studios, San Francisco, California by Matia Simovich, Philip Winiger & Steven Campodonico.
Mastered by Paul Lavigne at Contrast Mastering, London England.

Graphic design (logo and packaging) by Leo Merz in Stuttgart, Germany
Video for ‘Walking On Glass’ was shot, edited, and directed by Dmitry Semenov.
Video for ‘Vehicle’ directed by Logan Owlbeemoth, founder of the analog engineering outfit TACHYONS+, using many custom built analog video processors.

TRACK LIST
1. Aphonia
2. Panopticon
3. Black Sun
4. Noise
5. Walking On Glass
6. Programming
7. Vehicle
8. Occupations

Keep up with INHALT
Website | Facebook | Bandcamp | Soundcloud | YouTube | iTunes |Instagram | Spotify

Keep up with Cleopatra Records
Website | Facebook | Bandcamp | Soundcloud | Twitter | YouTube | Instagram

 
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Posted by on March 18, 2017 in New Wave / Dark Wave

 

Holy Monitor – s/t (February 2017)

Greek five piece psychedelic band Holy Monitor return with their debut album “Holy Monitor”

After releasing last year the “Golden Light/Aeolus” EP through American label Ongakubaka Records the band returns with a full length album of 10 psych/kraut diamonds.

Available in two limited editions of 200 copies (clear-copper & blue-white marbled vinyl) or digital download on their Bandcamp page.

 
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Posted by on March 16, 2017 in Psychedelic

 

Phantogram and The Veldt Spring Eastern U.S. Tour, March 11-17 11 March 2017

Phantogram and The Veldt to Embark on East Coast Tour, March 11-17

Alternative pop icons Phantogram and shoegaze alternative soul pioneers The Veldt have announced they will play six exclusive U.S. East Coast cities before the former departs for their European tour. The duo will again return to the U.S.A. in mid-April for two separate appearances at Coachella.

Phantogram is touring in support of their recently released their third studio album ‘Three’ (Republic Records). Consisting of Josh Carter (guitars) and Sarah Barthel (keyboards), the duo formed in 2007. On ‘Three’, they take their sound in an enthralling, darker direction, adding new textures to their signature style. This album represents a new creative peak they’ve been building towards for nearly a decade. The latest chapter in the duo’s impressive ascent to the forefront of alternative pop, this iridescent record glows with warmth even as it explores the desolation of personal pain. This is also proof that nothing, at this point, can hold them back.

This six-date joint tour kicks off on Saturday, March 11 at Chicago’s Riviera Theatre, followed by dates in St. Paul, MN (Palace Theatre), Madison, WI (Orpheum Theater), Urbana, IL (Canopy Club), Cincinnati, OH (Bogart’s), and Atlanta, GA (The Tabernacle).

The Veldt are touring in support of their EP ‘The Shocking Fuzz of Your Electric Fur: The Drake Equation’ the band’s first new recording in fifteen years, which will be released worldwide on June 2 via Schoolkids Records, home to artists such as Adam Franklin & Swervedriver, Tommy Keene and Bettie Serveert with a history of collaboration with artists such as New Model Army, Daniel Lanois and Emm Gryner.

The Veldt formed in the late 80’s in Raleigh amongst the royalty of the legendary North Carolina music scene, including bands such as Superchunk, Archers of Loaf, The Connells, Dillon Fence, The dBs, Squirrel Nut Zippers, and Ryan Adams. Pitchfork recently included their album ‘Afrodisiac’ in the top 50 shoegaze albums eve released. Today their musical output is in the same ballpark as A.R.Kane, Cocteau Twins, Massive Attack, and Jesus & Mary Chain.

Signed to Capitol Records in 1989 and eventually Mercury Records, The Veldt embarked on a musical journey that changed their lives. The soon found themselves in the studio with dream-gaze guru Robin Guthrie, touring America with Cocteau Twins and the UK with The Jesus and Mary Chain and working with leading producers Lincoln Fong of Moose on their debut album ‘Marigolds’ and Ray Schulman (Bjork, Sugarcubes, The Sundays) on ‘Afrodisiac’. The Veldt were a sensation from the start and part of a movement of innovators, who came of musical age at a time when rhythmic rebels were reflective, gritty and wild. Their sound inspired future generations of alternative artists, including TV On the Radio.

The Veldt have collaborated with TV On The Radio, Mos Def, The Jesus & Mary Chain, Lady Miss Kier (Deee-Lite), and most recently with A.R.Kane, and have shared the stage with the likes of The Pixies, Throwing Muses, Echo & The Bunnymen, Cocteau Twins, Manic Street Preachers, The Jesus and Mary Chain, Oasis and Living Colour.

The band reformed in 2016 and their new EP started to make the rounds with a 2016 vinyl release via Manchester’s Leonard Skully Records. Their return was met with incredible enthusiasm and significant press attention, including from The Guardian (UK), who say “the new songs invite paradoxical praise: serenely assaultive and vertiginously soothing.” In the past year, the band did a mini-tour with The Brian Jonestown Massacre, embarked on two Canadian tours, toured and played multiple festivals across Europe.

TOUR DATES
Saturday, March 11:  Chicago, IL – Riviera Theatre
Sunday, March 12:  St Paul, MN – Palace Theatre
Monday, March 13:  Madison, WI – Orpheum Theatre
Tuesday, March 14:  Urbana, IL – Canopy Club
Thursday, March 16:  Cincinnati, OH – Bogart’s
Friday, March 17:  Atlanta GA – The Tabernacle

 

A Tree Grows – A Tree Grows LP (Rufftone Records – 17 March 2017)

NYC Jazz Outfit A Tree Grows Presents ‘Future Calculations’ Ahead of Debut Album

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Following up their recent single ‘Wau Wau Water‘, Brooklyn-based A Tree Grows present the second single from their self-titled debut album, set for release on March 17 through Rufftone Records. ‘Future Calculations’ is based on an exercise by the jazz pianist Walter Bishop Jr., who played in Charlie Parker‘s band.

The accompanying video was created by acclaimed videographer Hideki Shiota, recipient of the Best Cinematography Award at the Asian American International Film Festival, and inspired by the need for a new generation of environmentalism, imagining the thought process and the level of determination that will be necessary.

Future generations will feel the need to rise to the ecological challenges they inherit, and this story tells one imaginary angle of this tale: A young girl makes it her mission to grow a plant. She is undeterred by what is happening around her and calmly works towards her modest yet spiritual goal…  The blues inspired saxophone that Tivon Penicott plays is a perfect metaphor for our humanity and spiritualism, which can make plants grow – and in the end can possibly even heal nature.

“We came up with this idea and decided to make the video with the backdrop of New York City, using some weird locations in Queens that we have been exploring,” explains Emanuel Ruffler.  “I finally managed to convince my daughter Kokoro to act in the video and our friend Naoko Kitano agreed to do the styling. The clothes are very important for the direction of the story. The unusual kimono creates a sense of futurism, and it make the character really float above and stand out from the New York City street scenes.”

In the composition ‘Future Calculations’, the progression is in fourths, which Walter Bishop Jr. wrote a whole book about. It’s somewhere between a 12-tone algorithm and the blues –  a perfect fit for this subject matter.

Involving some of the most talented musicians on the New York scene, they create a unique stew with jazz at its core, blended with afrobeat, rock and experimental sounds. Tastefully crossing stylistic barriers, this unique collaboration involves two brothers – Rashaan Carter and Russell Carter – and German-born electronic musician Emanuel Ruffler. Together, they create sonic textures, over which Tivon Pennicott and Duane Eubanks stretch a layer of raw, emotional jazz lines. Not afraid to defy expectations of style, instrumentation and expression, the unique style of each member of A Tree Grows makes for a potent sonic concoction that is refreshing, insightful, and deliciously exciting.

At the top of today’s young saxophone world, Tivon Pennicott brings fantastic rhythm, tasteful melodic lines and the deeply important groove. A two-time Grammy winner and runner-up in the prestigious Thelonius Monk Competition, he is also a prominent part of the Gregory Porter Band, a recent recipient of a 2017 Grammy Award for the album ‘Take Me To The Alley’. Arguably one of the decade’s most celebrated and genre-crossing artists, Gregory Porter performances have featured Tivon Pennicott on countless live and TV appearances across the globe. Hailing from Georgia, Tivon began playing with guitar legend Kenny Burrell while still in college, performing at many world-class venues alongside the likes of Stevie Wonder and Wynton Marsalis. Since moving to New York in 2009, he has collaborated with numerous artists, appeared on Esperanza Spalding’s crossover success ‘Radio Music Society’, and toured with master drummer Al Foster, best known for his long-term collaboration with Miles Davis.

Emanuel Ruffler, a New York resident of more than 20 years, also comes with a colorful musical pedigree. After taking grand prize in the Thelonious Monk Competition, he has achieved songwriting credit on Me’shell Ndegocello’s ‘Aquarium’ and also collaborated with world-famous designer Emanuel Ungaro, which ultimately led to Ruffler soundtracking an ad for an Ungaro-produced perfume.

Rashaan and Russell Carter‘s love of music fostered by their saxophonist father and mother, a radio programmer. The bass ultimately became the voice for Rashaan’s musical expression with Russell on drums. They cut their teeth on the local Washington, D.C. scene with artists such as as Gary Thomas and after Rashaan moved to New York City to attend the New School University, he quickly began working with many faculty members, including percussionist and composer Joe Chambers. Rashaan met future bandmate Emanuel Ruffler at that time.

Trumpeter Duane Eubanks has performed everywhere from the Hollywood Bowl to Carnegie Hall to the Kennedy Center, in addition to Europe and Japan.  He is a member of Dave Holland’s two time Grammy Award winning big band and the late Mulgrew Miller’s band, Wingspan. Having played with dozens of renowned figures in the jazz world, he has crossed over into other genres, recording and touring with The Temptations, Alicia Keys, Talib Kweli, Mos Def, Wu Tang Clan, Freedom Williams, Kirk Franklin, and Defunkt.

CREDITS:

Emanuel Ruffler – keyboards

Tivon Pennicott – saxophone

Rashaan Carter – bass

Russell Carter – drums

Duane Eubanks – trumpet

 

Produced and composed by Emanuel Ruffler, in memory of Walter Bishop Jr.

Published by Emudrum Music (BMI).

Actress: Kokoro

Hair and Kimono styling by Naoko Kitano

Filmed and Edited by Hideki Shiota

 

Keep up with A Tree Grows / Rufftone Records

Website | Facebook | Twitter | Soundcloud | Bandcamp | Instagram | Vimeo | YouTube

 
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Posted by on March 6, 2017 in Jazz

 

The Clash Calling – Kyttaro Live Club – Friday 3 March 2017

The ice age is coming, the sun is zooming in
Engines stop running, the wheat is growin’ thin
A nuclear era, but I have no fear
‘Cause London is drowning, and I, I live by the river…

On Friday 3 March the music collective Antibodies is putting together a charity festival at Kyttaro Live Club in Athens, which will pay tribute to The Clash.

Guests are fifteen of the top bands and artists of the Greek scene that will perform in their own way material of The Clash showing their respect to a band that shed the light on a path, for generations that followed.

Bad Movies, Beggar Belief, Dead Dranks, Dirty Fuse, Dustbowl feat Alex K, Jet Black, Panx Romana feat MC Yinka, Tolis Fasois, Haris Αρνάκια & Stavros Εx, The Statycs, Tsiri Band feat Μike Pougounas, Xenofon Razis & Pirates City and Ζωρζ Πιλαλί και η Soufra Band.

The night will close with a video shot during the historic gig of Joe Strummer & The Mescaleros, from Sporting Stadium in Athens (30 November 2001).

Doors open: 21:00

Ticket: 6 Euros

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Antibodies is a collective of artists that join forces to help refugees and people in need against everyday fears.

Armed with love, humanity, and solidarity, the artists of the collective work as antibodies in the social network.

For more information: Antisomata.org@gmail.com

 
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Posted by on February 22, 2017 in Concerts / Performances

 

Electric Floor – Bluedive (Vipchoyo Sound Factory – 6 March 2017)

 Electric Floor Signs to Viphchoyo Sound Factory, Announces New Single

 electric-floor-fader-cover

New wave synth-gaze outfit Electric Floor have announced they will release their forthcoming ‘Fader’ EP in March via the Vipchoyo Sound Factory label. The Italian trio now presents ‘Bluedive’, the first single from this album, which exhibits clear underpinnings from Psychedelic Furs, Echo & The Bunnymen and Modern English and will appeal to fans of Interpol, Kasabian and The Wombats.

“Bluedive is like a surge – it was born during a bad period for us. Initially it was only messy ideas, but we gradually gave it form. The lyrics are suspended between romance and sadness, anger and exhortation,” explains Emanuele Chiarelli. “Just like the other songs, our lyrics in this one are very emotional and tidal.”

This Cosenza-based trio is comprised of Emanuele Chiarelli (vocals/ guitar), Simone Costantino De Luca (programming/ keys), and Fabio Cosentino (bass). Formed in 2009, the band’s concept is based on emotive feelings.
‘Fader’ will be their third album, following up the self-produced albums ‘300’ and ‘Falsità reali’ and singles ‘Your Blue’ and ‘My Bloody G’. On this latest release, the band is geared more towards an electronic sound.
The latest few singles have brought them increased press and radio coverage in numerous countries, but ‘Fader’ will likely see this attention explode due to the virtually melting pot of synthpop, shoegaze, chillwave and electrogaze presented here. “This selection of songs features tracks closely linked to each other with a common denominator in that they dive into our conscience,” explains Emanuele Chiarelli.
Simone Costantino De Luca, who handles programming and keys in Electric Floor, comments: “Everything starts from sound suggestion. Our biggest strength is setting the mood and our lyrics give it meaning. This EP is the result of a dialogue amongst ourselves. Every song on the forthcoming EP was written during the same period and we think this is a dead romantic album, after all.”

The ‘Fader’ EP will be available on CD via Vipchoyo Sound Factory, as well as on digital download and streaming platforms.

CREDITS 

Emanuele Chiarelli – Vocals and Guitar
Simone Costantino De Luca – Programming and Keys
Fabio Cosentino – Bass
Alberto La Riccia – Engineering, recording, mixing, mastering
Piero Nudo – Artwork
Mauro Nigro, N2 Video Productions – Bluedive video production
Recorded and mixed at Echo Mobile Studio
All photos by Debora Chiarelli
Thanks to Vipchoyo Sound Factory Label and our friends Stella Diana

LYRICS

Take your bright blue hearth tonight
And please ask me what I need
I need to walk away
I need to walk away
Now I have no reason
No reason to get back
If you want to run, Run a mile
Take the dream
That you hiding tonight
If you want to run, Run a mile
Too much is not enough
Oh now I can’t be sure of enything
Let me see if it’s so cruel
If I feel so blind
If I feel so blind
You’re gonna tell me when
The daylight will rise
If you want to run, Run a mile
Take the dream
That you’re hiding tonight
If you want to run, Run a mile
Too much is not enough
Keep up with Electric Floor

Keep up with Vipchoyo Sound Factory
Website | Facebook | YouTubeTwitter | Vimeo | Soundcloud

photo by Debora Chiarelli

photo by Debora Chiarelli

 
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Posted by on January 7, 2017 in New Wave / Dark Wave

 

Vanity Noire (After Dusk Festival) – Leipzig-Germany 18.11.2016

By Fondas SumerSon

When I started getting involved with guitar oriented German Goth Rock back in the day, it was 5 or 6 bands that turned me into a huge fan of the genre. Age Of Heaven was definitely one of them!
Having in mind that Age Of Heaven do not play live that often, I quickly decided that their special 25 years anniversary gig, in their hometown Leipzig, was not to be missed. Especially since their special guests would be the legendary goth rock heroes of the underground Still Patient? and Aeon Sable, one of the best new bands of the Goth scene.

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Well, let’s see things in more detail… Although I try to attend gigs and festivals across Europe, I never had the chance to visit Leipzig until now. So this gig was a fine opportunity to explore this beautiful and historic city, with the precious help and guidance of my good friend Ingo from The Escape. I can certainly admit that Leipzig is one of the most beautiful German cities!

The concert would take place at Moritzbastei – a brilliant venue of 150 to 200 people capacity – with a circle-like stone-scared roof. It reminded me of a catacomb, thus being an ideal location to host a real goth gig! We arrived around 19:30, did some merch-shopping and had a little chat with good old German friends before Still Patient? hit the stage…

Still Patient? 

Still Patient?

Around 20:00 o’clock lights went out, thick smoke filled the stage and a female voice introduced Still Patient? by saying “Ladies and Gentlemen, now Still Patient? are going to play some proper Goth Rock for you”. Needless to say this sent chills down my spine…That was exactly the reason why I was there after all!

One by one the guys came on stage with Andy being the last one. Without wasting any time, they began delivering their killer Goth tunes! They chose “Chameleon” as their opening track, an old school cult anthem that was released 20 years ago. The song had a great effect on the crowd which started to show its appreciation instantly!

They played a 50 min set based on their over-of-2-decades history, including classic goth dynamites like “Agoraphobia”, “God & Satan”, “Anavryn”, “Mascara Osiris” or “The Sun”, along with more recent tunes like “Seconds of Fame”, “Impact”, “All is Well” and of course their latest brilliant video clip “Swallowed”, as well as a very interesting cover on Schwefel‘s classic “Metropolis”.

All 4 guys were in great mood on stage and seemed to enjoy themselves very much! Steve Pogue and Bec Kes – the killer guitar duo – created a strong and solid sound by mixing modern elements with classic old school goth riffs! Guido‘s bass lines made the band’s sound heavier and more groovy, while Andy’s voice and “goth” attitude on stage, is always one of the highlights! He is quite imposing without the need to be over-reactive. A great front man indeed. This was my second SP? gig and I have to admit that these guys are getting better and better as time is goes by!

Their setlist:

Intro
Chameleon
Seconds of Fame
God & Satan
Swallowed
Impact
Agoraphobia
Metropolis (Schwefel cover)
All is Well
Anavryn
—————–
The Sun
Mascara Osiris

 

Aeon Sable

Aeon Sable

After a small break, it was Aeon Sable’s turn to spread their “wicked” tunes around the place. While Din, Jo and Quoth were plugging in their instruments, Nino (with a hood covering his head) was moving across the stage, throwing some kind of dust as part of the “ritual” that was about to begin… a “ritual” that started with the mystical “Aequinoctium”. I honestly couldn’t think of any better way.
I have written about Aeon Sable a couple of times in the past, but I’m going to say this once again. I consider them the best band from the new era of “dark” music. They are an absolutely versatile band that combines so many music styles in a unique way. And if you add Nino (vocals) -whom I consider one of the best “performers” of the scene- to the equation, you get an amazing band that will blow you away! Α amalgam of “dark-art” that captures the audience with its dance floor groovy goth songs as well as with its mystical occult themed anthems. This band transcends the boundaries of traditional goth rock.

Since it was a festival, they had a limited time of a 50 min show, so they chose to play more tunes from their latest album (Elysion, Garden of Light, White Snow), which I consider one of the best releases of 2016. That worked out really well for me because this was the first time I had the chance to listen to the new songs, although this was my 4th Aeon Sable gig.

They also played classics like “Dancefloor Satellite”, “Algorythm of None” or “Visions” that were really appreciated by the crowd, but the highlight of their set (according to my opinion) was “Exodus”, a song taken from their debut album which they had only played once in the past! Cracking tune! The guys put up a great show with Din and Jo working wonders on the guitars, Sebbl rocking the audience with his rhythmic bass lines and of course with Nino’s unique performance on and off stage. Of course I shouldn’t forget to give credit to Frank for his great light-show… Outstanding work!!

Their setlist:

Aequinoctium
Elysion
Garden of Light
Dancefloor Satellite
Algorythm of None
Visions
Exodus
White Snow
——————
Quaalude Tango

Age Of Heraven

Age Of Heaven

Lights went off for the last time and roses-covered microphone-stands appeared before us! Age Of Heaven, the headliners of the evening, were about to conquer the stage.

When the smoke cleared out, I saw Yvonne reciting the lyrics of “The Secret” (intro to their “Garden of Love” album) and Heidi accompanying her on the keyboards! What a feeling! They created a genuine Gothic atmosphere that took me back many years… And when the guys, one by one, filled the stage and started playing the title track of the same album, I thought that I was back in the 90’s!! Ju was dressed like the way he used to dress back in 1996 (“Garden of Love” era). He was singing every word with great passion and expressiveness. He easily mesmerized the audience into following him through a romantic goth rock journey! Torsten and Christian on the guitars were the perfect companions for that goth revival! The goth super team was completed by the one and only Tommy with his distinct and rhythmic bass lines and Heidi whose keyboard-playing added a medieval-ethereal touch to the traditional goth-rock sound of the band!
Since Age of Heaven haven’t released a new album in 20 years, they had plenty of new, unreleased songs to play. I am thrilled to say that their new songs are nothing less than true masterpieces. These songs that could have easily been released 20 years ago, but at the same time they sound fresh and up to date! “To the Clouds”, “Tonight”, “Love is Just a Lie” or “Strangers” offer the same feeling that their “old” songs did! No electronics, no trendy elements, just pure romantic old school goth rock!

They played for an hour and a half, performing around 10 brand new songs without leaving out of the set classic anthems from both their albums. Tunes like “The Providence”, “Armageddon”, “Garden of Love”, “Red Roses”, “Broke the Chain”, “In the Mirror” or “It Comes the Night” (personal favorite from their “Garden of Love” album) were received enthusiastically by a crowd which obviously appreciated old-school goth rock!

One of the highlights of their performance was definitely the amazing cover version on The Mission‘s classic “Garden of Delight”! Many bands have covered this track, but none like Age Of Heaven! Actually they had planed to play an acoustic version of it on their acoustic special set which would take place the next day at darkflower, but after my request Ju decided to play the electric version of it on their Friday gig too… Thanks my friend!

Their setlist:

Ther Secret
The Garden of Love
Broke the Chain
Machinery
Consolation (new song)
This is the Country (new song)
In the Mirror
Your Hidden Mind (new song)
Tonight (new song)
To the Clouds (new song)
It Comes the Night
Armageddon (extended)
Strangers (new song)
Love is Just a Lie (new song)
She was Living for (new song)
Lethal Poison (new song)
Red Roses
Garden of Delight (The Mission cover)
The Providence (extended)
Over the Seas

Concluding I would like to congratulate Age Of Heaven for such a memorable anniversary gig and for choosing 2 great acts as their special guests!
I can’t think of a better way to celebrate your first 25 years! Thank you for being loyal to Goth Rock all these years, without changing you values! We are eagerly waiting for a new release. Until the next time…. Long Live Goth Rock!

Pics By Oliver Krapp
Videos by Fondas SumerSon & Oliver Krapp

 
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Posted by on December 14, 2016 in Goth, etc.