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Whispering Sons – Image ( 19 October 2018 SMILE Records, ROW – Cleopatra, USA)

Brussels based post-punk outfit Whispering Sons are set to release their long awaited debut album Image via SMILE Records & Cleopatra.

Image takes a giant leap forward from Whispering Sons’ previous work.

Together with producer Micha Volders (Meteor Musik, El Guapo Stuntteam) and engineer/co-producer Bert Vliegen (Teen Creeps, Sophia), the band used the studio as a means to broaden their sound, enriching it with acoustic drums and a whole range of synthesizers.

The ten tracks, recorded over a period of ten days at GAM Studios in Waimes (BE), evoke an atmosphere both ominous and urging , yet at the same time capture the band’s agitated live intensity.

The record was mixed by Bert Libeert (Goose, B) at Jetson Studio and mastered by Frederik Dejongh at Jerboa Mastering.

The songs on the album were written after the band collectively moved to Brussels in 2016.

In between periods of intense touring, they worked hard to translate their new perspectives into their first full album.

Feeding on the dynamics of the city, the tracks unveil feelings of alienation and distance.

Image is a motionless state, in which observations overshadow actions.

It reflects the artificiality of things, yet still desperately clings on to ideals and obsessions, something which is also strengthened by the cover artwork of Flor Maesen.

In 2016, the band won Humo’s Rock Rally, one of Belgium’s most prestigious national contests that boosted the career of upcoming artists such as dEUS.

After that, Whispering Sons have been touring Belgium and Europe extensively, establishing a strong live reputation.

The band have so far released the EP Endless Party (2015) and two 7“ singles, Performance/Strange Identities (2016) and White Noise (2017).

EUROPEAN TOUR DATES

10.10  Barcelona (ES)  La 2 De Apolo *

11.10  Madrid (ES)         SalaCopernico *

12.10  Lisbon (PT)         RCA Club *

13.10  Porto (PT)           Hard Club *

19.10  Rotterdam (NL) Left of the Dial Fest

20.10  Brussels (BE)     Ancienne Belgique

22.10  Eindhoven (NL) DDW Music Fest

24.10  Kortrijk (BE)        De Kreun ^

25.10  Den Haag (NL) Paard Van Troje ^

31.10  Amsterdam (NL) Sugar Factory

02.11  Berlin (DE)          Urban Spree

03.11  Bochum (DE)     Kulturbahnhof

09.11  Cologne (DE)     Gebäude 9

10.11  Namur (BE)        Belvedere

21.11  Paris (FR)           Espace B

24.11  Turin (IT)             Padiglione 14

27.11  Budapest (HU)  Dürer Kert

29.11  Prague (CZ)       Meetfactory

08.12 Turnhout (BE)     Club Kuub

14.12 Gent (BE)            De Centrale

* w/The Soft Moon

^ w/Gang Of Four

 
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Posted by on September 20, 2018 in Goth, New Wave / Dark Wave

 

October releases from Fruits de Mer Records – including The Electric Prunes, The Pretty Things and The Yardbirds

 

1966-1968 : arguably the golden era for music. ‘The Three Seasons‘ is a bit of a tribute to the psychedelic era – the first buds forming in ’66, the summer of love and the comedown in ’68.

Some of Fruits de Mer‘s best-known artists are joined by some new faces and a few who were actually there at the time and were personally responsible for some of the amazing sounds that we’re celebrating in this vinyl love-in.

The Three Seasons has taken rather a long time to grow into the 3 LP set that will be presented for your consideration in early October – although, in the end, some heavy pruning was necessary to fit everything onto six sides (it could so easily have been a 4LP set, but someone had already knicked the ‘four seasons’ title).

The music ranges from pop-psych to acid-folk, heavy rock to prog, from classic songs to the long-lost – the kind of thing Fruits de Mer was designed for.

So, who is responsible for the two hours+ of music between the grooves? Step forward:

side 1

  1. The Past Tense – Magic In The Air (originally by The Attack : recorded in 1967)
  2. LoveyDove – Bedazzled (originally by Drimble Wedge and the Vegetations : 1967)
  3. Campbell Stokes Sunshine Recorder – Amelia Jane (originally by Made In Sheffield : 1967)
  4. Jack Ellister – Aquarius (originally by The Zodiac:Cosmic Sounds : 1967)
  5. Rob Gould – Granny Takes A Trip (originally by The Purple Gang : 1967)

side 2

  1. Mark McDowell and Friends – Up The Wooden Hills To Bedfordshire (originally by The Small Faces : 1966)
  2. Anton Barbeau – Sunshine Superman (originally by Donovan : 1965)
  3. The Electric Prunes – 7 and 7 is (originally by Love : 1966)
  4. Moonweevil – Child Of The Sky (originally by The Deviants : 1967)
  5. Kris Gietkowski – A-Minor Explosion (originally by Don Shinn : 1966)
  6. The Yardbirds – Think About It (live in 2016) (originally by The Yardbirds : 1968)

side 3

  1. The Locker Room Cowboys – We Love You (originally by The Rolling Stones : 1967)
  2. King Penguin – White Bird (written : 1967, released by It’s A Beautiful Day : 1969)
  3. Aunt Cynthia’s Cabin – Solitary Man (originally by Neil Diamond : 1966)
  4. The Luck Of Eden Hall – Reflected (originally by Alice Cooper : 1968)

side 4

  1. The Honey Pot – Kites (written by Hackaday/Pockriss; recorded by The Rooftop Singers / Simon Dupree and the Big Sound : 1967)
  2. Cary Grace – 1983 (A Merman I Should Be…) (originally by the Jimi Hendrix Experience : 1968)

side 5

  1. Sidewalk Society – A Saying For Today (originally by The Action : 1968)
  2. Jay Tausig – Let No Man Steal Your Thyme (trad. recorded by Anne Briggs : 1963 / Pentangle : 1968)
  3. Magic Bus – Tribal Gathering (originally by The Byrds : 1967)
  4. Proud Peasant – Down At Circe’s Place (originally by Touch : 1968)
  5. Icarus Peel – Beck’s Bolero (originally by Jeff Beck Group : 1966)

side 6

  1. The Green Ray – Dusty (originally by John Martyn : 1968)
  2. Ex-Norwegian – Winter (originally by Family : 1968)
  3. Consterdine – Fly (originally by J.K. & Co : 1968)
  4. The Gold Needles – The Smell of Incense (originally by West Coast Pop Art Experimental Band : 1967)
  5. The Pretty Things – Loneliest Person (live at the Half Moon, 2010) (originally by The Pretty Things : 1968)

The other new vinyl release comes from Kris Gietkowski, who created the wonderfully-mad solo instrumental version of Egg‘s first album last year from FdM. He’s back and it’s as if Egg have never been away – on ‘Symmetric Communication‘, he moves onto their second album with a cover of ‘A Visit To Newport Hospital‘ and then creates two new compositions that are heavily influenced by the band – again it’s all instrumental and the work of one man – and I think it’s damn good (he said modestly).

 
 

Kommunity FK 40th Anniversary

California, here they come!

Kommunity FK - Promo

Via Patrik Mata of Kommunity FK:

“Here we come…..so you come, too. Let’s come 2gether & party like it’s Kommunity FK’s 40th year anniversary, & it most definitely is!
Blessed Be.”

Kommunity FK - 2018 September
Kommunity FK - 2018 September (b).jpg
How cool is that. 🙂  Grab your boots… the party’s just getting started!  Keep up to date with all the latest (and check back on some of the past on tribe4mian) through the official links below.
Kommunity FK - Logo
And don’t forget, send us your event pictures and we’ll be sure to shine a light on YOU and your captured images.
 

David J – Crocodile Tears and The Velvet Cosh (Glass Modern 7 September 2018)

Bauhaus’ David J re-releases pivotal ‘Crocodile Tears and The Velvet Cosh’ LP on Glass Modern

It’s been a long time coming, but David J (Haskins) is returning to his roots.40 years since the formation of Bauhaus, he has announced two one-off solo UK concerts in between festival dates with Bauhaus vocalist Peter Murphy and their newly-announced world tour, including‘ Back to Beck, a historic intimate event at the studio in Wellingborough, England where ‘Bela Lugosi’s Dead’ was recorded. Released on August 6, 1979 by Small Wonder Records, this is considered the first gothic rock release. Featuring lyrics composed by David J, this massively significant single led to a John Peel session, two years of charting in the British independent charts, and being signed to 4AD Records and, later, Beggar’s Banquet.

David J is also returning to his roots in another way, reissuing his solo album ‘Crocodile Tears and The Velvet Cosh’ LP on September 7. This was his second solo release after Bauhaus’ disbanding. Released on Glass Records in 1985, the label’s new incarnation, Glass Modern Records, will release this remastered David J classic on 180-gram heavyweight clear vinyl with inner bag featuring all the lyrics, plus new sleeve-notes by David Barker of Glass Records.

This album was recorded at Beck Studios, as many other Bauhaus and David J releases. Between Bauhaus’ end and the formation of Love and Rockets, David J recorded 5 singles and 1 LP for Glass Records, and also played on 2 albums by The Jazz Butcher. ‘Crocodile Tears and The Velvet Cosh’ is one of the crowning glories of the original Glass label.

David J says, “This is a personal pastoral favourite and the album that really set the tone for all of my future solo endeavors. Now it is being re-released as a limited edition on beautiful high quality 180 g clear vinyl by the newly rebooted Glass Modern label. ‘Feels like coming home!”

Perry Farrell of Jane’s Addiction once described David J as the Avant of the Avant-garde, with good reason. Since Bauhaus disbanded in 1983, David has enjoyed a long and varied solo career. The first of Bauhaus’ members to actively step outside of the comfort zone of his original band, he released his debut album ‘Etiquette of Violence’ that same year and has since released numerous solo albums, founded the hugely successful Love and Rocketd, produced and played bass with The Jazz Butcher, and joined the reformed Bauhaus again twice for world tours.

Following a performance at London’s The Islington on Saturday, August 25, David J will play a special live acoustic concert for a small crowd on Sunday, August 26 at Beck Studios. This will be David’s first time in the studio since recording his ‘Blue Moods Turning Tail’ EP in 1984. This special limited capacity show features music originally recorded there, as well as songs spanning his career.

As part of this rare event, Andrew Brooksbank, author of ‘Bauhaus – Beneath The Mask’, will conduct an interview with David, followed by a Q&A with the audience. This historic concert is not to be missed and will be both recorded and filmed for later release.

From there David J will join Peter Murphy for a 40-year Bauhaus anniversary tour across the UK, Europe, Australia and New Zealand, for which they will play their full debut LP ‘In The Flat Field’. Bauhaus released 4 groundbreaking albums, cementing their place in music history. Considered one of the most influential bands since The Velvet Underground, Bauhaus spearheaded the post-punk alternative music scene of the early ‘80’s, defining a style that is feasibly the pinnacle of the gothic scene. Late 2018 will bring a series of coloured vinyl Bauhaus reissues and more tour dates are expected later.

Order ‘Crocodile Tears And The Velvet Cosh’ via Bandcamp and ‘Who Killed Mr. Moonlight’, his book on his Bauhaus years, via David’s website. His latest album  ‘Vagabond Songs’ (2017) can be ordered here. Tickets for David J solo UK dates are available here and Peter Murphy-David J tour tickets can be ordered here.

TRACKLIST
1. Crocodile Tears And The Velvet Cosh
2. Too Clever By Half
3. The First Incision
4. Imitation Pearls
5. Light And Shade
6. René
7. Stop This City
8. Justine
9. The Ballad Of Cain
10. The Vandal And The Saint
11. Boats
12. Slip The Rope
13. Greener

TOUR DATES (all dates with Peter Murphy except Aug. 25-26)
Aug 15 – Kluisbergen, Belgium @ W Fest
Aug 17 – Taranto, Italy @ Cinzella Festival
Aug 23 – Vilar de Mouros, Portugal – Vilar de Mouros Festival
Aug 25 – London, UK @ The Islington **David J solo show**
Aug 26 – Wellingborough, UK @ Beck Studios **David J solo show**
Oct 18 – Wellington, New Zealand @ San Fran
Oct 19 – Christchurch, New Zealand @ Foundry
Oct 20 – Auckland, New Zealand @ Powerstation
Oct 22 – Adelaide, Australia @ Governor Hindmarsh
Oct 25 – Brisbane, Australia @ The Zoo
Oct 26 – Melbourne, Australia @ Max Watts
Oct 27 – Sydney, Australia @ The Factory
Oct 28 – Perth, Australia @ The Capitol Theatre
Nov 6 – St. Petersburg, Russia @ Aurora Hall
Nov 7 – Moscow, Russia @ Glavclub
Nov 9 – Belgrade, Serbia @ Dom Omladine Beograda
Nov 10 – Frankfurt, Germany @ Das Bett
Nov 12 – Zurich, Switzerland @ Mascotte
Nov 14 – Paris, France @ Bataclan
Nov 18 – Madrid, Spain @ La Riviera
Nov 19 – Barcelona, Spain @ Razzmataz
Nov 21 – Rome, Italy @ Orion Live Club
Nov 22 – Milan, Italy @ Fabrique
Nov 23 – Munich, Germany @ Ampere
Nov 24 – Bochum, Germany @ Christuskirche
Nov 26 – Wroclaw, Poland @ A2
Nov 27 – Berlin, Germany @ Columbia Theater
Nov 28 – Hamburg, Germany @ Knust
Dec 4 – Manchester, UK @ O2 Ritz
Dec 5 – Glasgow, UK @ SWG3
Dec 6 – Northampton, UK @ Roadmender
Dec 8 – Leeds, UK @ Leeds Beckett SU
Dec 9 – London, UK @ O2 Forum Kentish Town
Dec 11 – Copenhagen, Denmark @ Store Vega
Dec 12 – Stockholm, Sweden @ Nalen
Dec 14 – Athens, Greece @ Gazi Music Hall
Dec 15 – Thessaloniki, Greece @ Principal Club Theater

Keep up with David J
Website | Facebook | Twitter | Instagram | Bandcamp | YouTube | Patreon | Spotify | iTunes

 
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Posted by on August 12, 2018 in New Wave / Dark Wave

 

Fuchsia – Fruits de Mer Records special edition reissue 2LP+DVD+24pp A4 Magazine+poster July 30

Described by MOJO magazine as a “long-lost classic”, Fuchsia’s debut LP was released on the Pegasus label in 1970.

It received little publicity at the time, soon disappearing from view as the band broke up and went their separate ways; it was more than 30 years before it became recognized as a great early example of the fusion of progressive and folk rock, with the innovative use of strings.

Unavailable on vinyl for many years(excepting the inevitable poor quality bootlegs), Cherry Red have kindly given Fruits de Mer the rights to reissue the album, bu they’ve gone several steps further than a straight repress – working with the band’s founder Tony Durant, they’ve added a second LP of early demos along with new recordings of previously unreleased songs, including the band’s first 15 minute studio recording – taken from the only-known acetate, attributed at the time to the “Tony Durrant Ensemble” (sic) and the basis for them landing their one-album deal.

Add in a 15 minute DVD in which Tony talks about the album and the intervening 40-odd years, a fold-out poster of the stunning original cover and a 24pp A4 magazine that includes a reprint of Richard Morton Jack’s superb 16pp Flashback mag feature on the band, and you have the making of a rather spedial reissue.

To round off the package, Tony adds new sleeve-notes to a gatefold sleeve, in which he describes each of the bonus tracks – and the whole thing is pressed on 180gm colour vinyl.

The release is timed to coincidence with Fuchsia visiting the UK this summer to play gigs at:

August 3: the 16th Dream of Dr. Sardonicus Festival in Cardigan

August 9: The Half Moon, London

Tony will be playing many tracks from the original album and is very much open to more gigs, interview, radio sets, while he’s in the UK.

This is Fruits de Mer’s first-ever reissue of an album – and they’ve done their best to make it something special for long-time fans of the band and for everyone discovering Fuchsia for the first time.

A few words from Tony, looking back…

They say, good things come to those who wait…

What a surprise back in about 2003, to hear that our little Fuchsia album had gone on the make a life of its own without me.

Amazing!

My thoughts now…standing on stage, mid song, and drifting off…thing, what amI doing here with this going on around me…those old songs, and new…and all these people digging it!

How fortunate I am to have this beautiful thing, once abandoned, returned to me. The music has obviously connected with quite a few people, which is everything.

And with the 2013 follow up album so well received. I feel very proud that this perhaps unconventional music has actually formed some emotional bonds out there.

It’s obviously struck a chord with quite a few people.

It would have been hard to accept that your contribution to art of this genre stopped in 1971. But good fortune allows me to enthusiastically continue the journey. Thanks everyone!

Keep up with Fruits de Mer

Website

 
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Posted by on June 19, 2018 in Prog-rock

 

Sendelica – Cromlech Chronicles III (Fruits de Mer Records, July 30)

Sendelica will be back on Fruits de Mer just in time for their 16th Dream of Dr. Sardonicus summer festival, and with something of a harder edge for this latest installment in their Welsh chronicles. As it’s Part 3, it’ll have a 3D front cover (& 3D glasses) and come as a set of three 10″ records – all just for the hell of it. Pressed on colour vinyl, naturally.

Here’s a little context to the new recordings:

Back in 2006 Sendelica recorded their debut album, “Entering The Rainbow Light“. at Mwnci Studios in the magical landscape of West Wales.

It was to be almost another decade  before the band returned to that studio in what is turning into a regular gathering of like-minded musical souls in search of new musical paths that have become known as the “Cromlech Chronicle” sessions.

An annual two days of simply playing, improvising and recording to see where the musical muse leads the group members. August 2017 saw the regular Sendelica line-up swell its ranks to a six piece band with the addition of a second drummer Gregory Curvey (from The Luck of Eden Hall) and keyboardist Roger Morgan.

After 2016’s recordings of cerebral ambiance (“Cromlech II“) the new line up explored both pastoral pastures in “Teifi Marshes“, “12 Shades Revisited” and “Star Flower Blossom” alongside searing psychedelic prog workouts “Slow Burner“, “BS“, and “Lost Citi of Cardiza“.

The 3×10” set contains:

  1. BS (6:39)
  2. Slow Burner (12:41)
  3. 12 Shades Revisited (10:58)
  4. Teifi Marshes (9:14)
  5. Star Flower Blossom (14:40)
  6. Lost City of Cardiza (8:43)

Keep up with Sendelica 

Facebook | Bandacmp

 

 
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Posted by on June 18, 2018 in Prog-rock, Psychedelic

 

Lunar Module – Light Years (February 18, 2018)

Lunar Module is the project of Ant Banister (Sounds Like Winter) and Alberto Martinez (Neuropa).

Ant and Alberto have been writing 80’s flavoured SynthPop together on and off for many years, they target their sound very strictly around the New Wave period, the years 79-83, using the authentic instruments and sounds of the time.

Recent events have meant that the two of them are now living in the same city again, and back writing and performing full-time.

Lunar Module have just released a 15 track retrospective album on Bandcamp with old and new tracks and are working on a whole new album due early 2019.

Lunar Module will be touring in central Europe during October with the band Fabels.

Keep up with Lunar Module
 
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Posted by on May 19, 2018 in New Wave / Dark Wave